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Acoustic JurisprudenceListening to the Trial of Simon Bikindi$
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James E K Parker

Print publication date: 2015

Print ISBN-13: 9780198735809

Published to Oxford Scholarship Online: November 2015

DOI: 10.1093/acprof:oso/9780198735809.001.0001

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Conclusion

Conclusion

Chapter:
(p.209) Conclusion
Source:
Acoustic Jurisprudence
Author(s):

James E K Parker

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780198735809.003.0010

This chapter summarizes the book’s arguments, restates the importance of an acoustic jurisprudence, and gestures towards future avenues for research. At its core, this book has argued for a fundamental shift in how we think about and relate to law’s institutional life and the practice of judgment. The purpose of an acoustic jurisprudence, it suggests, is to open scholars and practitioners’ ears to the diverse ways in which law and sound are bound together, to hold institutions like the International Criminal Tribunal for Rwanda (ICTR) to account for how they think and work with sound, for the judgments they make, and to understand how law is both implicated in and to some extent productive of our sonic worlds.

Keywords:   jurisprudence, listening, soundscape, law, sound, Rwanda, international criminal law, genocide

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