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Pater the ClassicistClassical Scholarship, Reception, and Aestheticism$
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Charles Martindale, Stefano Evangelista, and Elizabeth Prettejohn

Print publication date: 2017

Print ISBN-13: 9780198723417

Published to Oxford Scholarship Online: April 2017

DOI: 10.1093/acprof:oso/9780198723417.001.0001

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Afterword

Afterword

Chapter:
(p.325) Afterword
Source:
Pater the Classicist
Author(s):

Stephen Bann

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780198723417.003.0019

This Afterword reflects further upon some widely differing aspects of Pater’s engagement with the Classics, as discussed throughout the volume. It involves his connections to his old school, King’s Canterbury, as revealed in documents held in the school archives. It touches on his Oxford reputation, with regard to unpublished correspondence of his biographer, Thomas Wright. It also addresses the reception of his works by contemporary figures, such as the art historians Bernard and Mary Berenson and the novelist Florence Montgomery, who copiously annotated her copy of Marius the Epicurean. A possible visual source for his ‘Apollo in Picardy’ is discussed, together with a previously unknown translation, possibly by Pater, that may throw light upon the composition of that important essay.

Keywords:   humanism, feminism, transhistoricality, Canterbury, Oxford, Picardy

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