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Pater the ClassicistClassical Scholarship, Reception, and Aestheticism$
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Charles Martindale, Stefano Evangelista, and Elizabeth Prettejohn

Print publication date: 2017

Print ISBN-13: 9780198723417

Published to Oxford Scholarship Online: April 2017

DOI: 10.1093/acprof:oso/9780198723417.001.0001

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Pater’s Heraclitus

Pater’s Heraclitus

Irony and the Historical Method

Chapter:
(p.261) 14 Pater’s Heraclitus
Source:
Pater the Classicist
Author(s):

Giles Whiteley

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780198723417.003.0015

This chapter examines Pater’s reading of Heraclitus as it developed through his career, from the conclusion to The Renaissance onwards. Setting Pater’s classicism in dialogue with his comments on the ‘historical method’ in Plato and Platonism, the chapter contextualizes Pater’s discussion of Heraclitus alongside that of his friend Ingram Bywater and nineteenth-century German traditions, and particularly Schleiermacher’s hermeneutics. From Marius onwards, Pater rereads Heraclitus, distancing himself from a ‘popular’ image of the philosophy of flux, emphazising terms such as Logos and ‘harmony’, before discussing the philosopher’s political significance in Plato and Platonism. The chapter concludes by suggesting that Pater’s classicism as it is exemplified in his reading of Heraclitus, always a reading proceeding through the prism of other readings, is somewhat ‘ironic’, always displaced.

Keywords:   Bywater, flux, harmony, Heraclitus, Hegel, historicism, irony, Logos, politics, Schleiermacher

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