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Pater the ClassicistClassical Scholarship, Reception, and Aestheticism$
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Charles Martindale, Stefano Evangelista, and Elizabeth Prettejohn

Print publication date: 2017

Print ISBN-13: 9780198723417

Published to Oxford Scholarship Online: April 2017

DOI: 10.1093/acprof:oso/9780198723417.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 12 December 2019

Hellenic Utopias

Hellenic Utopias

Pater in the Footsteps of Pausanias

Chapter:
(p.201) 11 Hellenic Utopias
Source:
Pater the Classicist
Author(s):

Charlotte Ribeyrol

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780198723417.003.0012

This chapter explores how Walter Pater’s reading of Pausanias’ Periegesis, books 1, 5, and 6, informed the lectures on Greek art which he delivered at Oxford University in 1878. Pater’s personal interpretation of Pausanias has rarely been documented, although his writings on Greek sculpture and Greek myth occupy a crucial place within the complex history of the reception of Pausanias’ Description of Greece in the eighteenth and nineteenth centuries, from Winckelmann to J. A. Symonds and Jane Ellen Harrison. This chapter sheds light on Pater’s multifaceted appropriation of the Periegete’s nostalgic itinerary through the relics of ancient Greece by showing how he drew on Pausanias’ descriptions of archaic artworks to articulate scholarly, aesthetic, and sexual considerations on Greek sculpture.

Keywords:   Pausanias, Winckelmann, J. A. Symonds, Jane Ellen Harrison, Greek sculpture, polychromy, Apollo, Hyacinth, Amyclae, ecphrasis

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