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'Ungainefull Arte'Poetry, Patronage, and Print in the Early Modern Era$
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Richard A. McCabe

Print publication date: 2016

Print ISBN-13: 9780198716525

Published to Oxford Scholarship Online: March 2016

DOI: 10.1093/acprof:oso/9780198716525.001.0001

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Introduction

Introduction

‘Ungainefull Arte’?

Chapter:
(p.1) Introduction
Source:
'Ungainefull Arte'
Author(s):

Richard A. McCabe

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780198716525.003.0018

This chapter argues for the location of literary patronage within the wider networks of social and political clientage identified by historians such as Wallace MacCaffrey, anthropologists such as S. N. Eisenstadt, L. Roniger, and Mary Douglas, and art historians such as Dale Kent. It considers the impact of print, and the sociology of the print-house, on authorial self-perception, and the role of the patron in promoting canonicity. Consideration is also given to the complex nature of the patronal relationship, the divergent expectations of the parties involved, the potential conflict between artistic liberty and political obligation, and the difficulties of assessing the extant evidence.

Keywords:   patronage, canonicity, print, laureation, social network

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