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'Ungainefull Arte'Poetry, Patronage, and Print in the Early Modern Era$
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Richard A. McCabe

Print publication date: 2016

Print ISBN-13: 9780198716525

Published to Oxford Scholarship Online: March 2016

DOI: 10.1093/acprof:oso/9780198716525.001.0001

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Egerton

Egerton

A Patron’s ‘Canon’

Chapter:
(p.271) 15 Egerton
Source:
'Ungainefull Arte'
Author(s):

Richard A. McCabe

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780198716525.003.0015

Focusing on the well-documented career of Sir Thomas Egerton, this chapter examines the extent to which patrons informed or influenced the nature of the works dedicated to them, and the measure of consistency or contradiction to be found in the public personae such dedications constructed. Drawing largely upon the extensive holdings of the Huntington Library, San Marino, where many of the authorially personalized copies presented to Egerton are preserved, the discussion locates his exercise of literary patronage within the wider context of the political, religious, regional, educational, and professional networks he cultivated. This throws light on his relationships with such writers as Francis Bacon, Sir John Davies, Davies of Hereford, and John Donne. Perhaps most significantly of all, the Egerton papers provide one of the elements so often missing from the record: evidence of attitude and intent from the hand of the patron himself.

Keywords:   regional network, Oxford, Inns of Court, legal profession, Egerton, Countess of Derby, Donne, Davies, Davies of Hereford, Bacon

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