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Late Style and its DiscontentsEssays in art, literature, and music$
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Gordon McMullan and Sam Smiles

Print publication date: 2016

Print ISBN-13: 9780198704621

Published to Oxford Scholarship Online: October 2016

DOI: 10.1093/acprof:oso/9780198704621.001.0001

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Saving Schubert

Saving Schubert

The Evasions of Late Style

Chapter:
(p.120) 7 Saving Schubert
Source:
Late Style and its Discontents
Author(s):

Laura Tunbridge

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780198704621.003.0008

This chapter offers a survey of trends in the twentieth-century reception of Franz Schubert as a way to understand how perceptions of his late style have changed across time and to show the uses to which ideas of lateness can be put in reflecting on the last works of a composer. The understanding of Schubert’s biography and illness, his sexuality, and his musical representations of landscape are discussed in the context of the dual influence of romanticism and modernism on the development of ideas of lateness. The chapter concludes by considering two examples of films that use Schubert’s music to provide insight into characters’ states of mind, and in the process underlines the illusory nature of the belief that hearing music as ‘late’ enables the experience of profundity.

Keywords:   musicology, biography, late style, sexuality, landscape, cinema

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