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Authorship and AppropriationWriting for the Stage in England, 1660-1710$
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Paulina Kewes

Print publication date: 1998

Print ISBN-13: 9780198184683

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780198184683.001.0001

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Plagiarism and Property

Plagiarism and Property

Chapter:
(p.96) 3 Plagiarism and Property
Source:
Authorship and Appropriation
Author(s):

Paulina Kewes

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780198184683.003.0004

This chapter examines efforts to control plagiarism and the changes in the practice of appropriation of plays in England during the period from 1660 to 1710. The Restoration saw a growing concern with the integrity of an author's work and that concern was reflected in the changing organization and formats of play catalogues. During the 1650s, play catalogues listed the titles of the plays. This changed in the 1680s and 1690s when Gerard Langbaine produced catalogues that listed the authors instead of play titles.

Keywords:   playwriting, England, plagiarism, play catalogues, Gerald Langbaine, Restoration

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