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Aaron HillThe Muses' Projector, 1685-1750$
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Christine Gerrard

Print publication date: 2003

Print ISBN-13: 9780198183884

Published to Oxford Scholarship Online: January 2010

DOI: 10.1093/acprof:oso/9780198183884.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 15 October 2019

Hackney Apollo, 1685–1711

Hackney Apollo, 1685–1711

Chapter:
(p.7) 1 Hackney Apollo, 1685–1711
Source:
Aaron Hill
Author(s):

CHRISTINE GERRARD

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780198183884.003.0002

This chapter discusses Aaron Hill's early life from 1685-1711. He has mastered the art of self-invention at an early age, publishing a lavish oriental travelogue at age 24 with a subscription list of 424 names vaunting his contacts with the rich and powerful. In 1708, Hill networked to establish a literary career for himself in London and collaborated with Nahum Tate on the Celebrated Speeches of Ajax and Ulysses, promoted as rhetorical guidebook for youth, and launched the British Apollo, a question-and-answer journal modelled on John Dunton's Athenian Mercury. At age 26, as director of opera at the Queen's Theatre in the Haymaker, Hill co-wrote and staged Rinaldo, Handel's first original opera for the English stage. In the published libretto, Hill presented himself as a well-travelled musical connoisseur familiar with European operatic vogues, intent on making ‘the English OPERA more splendid than her MOTHER, the Italian’.

Keywords:   Aaron Hill, Nahum Tate, British Apollo, John Dunton, Athenian Mercury, Rinaldo, Handel, opera

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