Jump to ContentJump to Main Navigation
Roots of the ClassicalThe Popular Origins of Western Music$
Users without a subscription are not able to see the full content.

Peter Van der Merwe

Print publication date: 2004

Print ISBN-13: 9780198166474

Published to Oxford Scholarship Online: May 2008

DOI: 10.1093/acprof:oso/9780198166474.001.0001

Show Summary Details
Page of

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 21 October 2019

Primitive Harmony

Primitive Harmony

Chapter:
(p.53) 5 Primitive Harmony
Source:
Roots of the Classical
Author(s):

Peter van der Merwe

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780198166474.003.0006

This chapter deals with the two most important routes from pure melody to harmony: the so-called ‘double tonic’ progression, consisting of two alternating triads with basses a tone apart, which is to harmonic progression what the children's chant is to melody; and the other is the drone, which for all practical purposes entered European music from the East.

Keywords:   pure melody, harmony, double tonic, drone, European music

Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .