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Seduced by the FamiliarNarration and Meaning in Indian Popular Cinema$
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M.K. Raghavendra

Print publication date: 2008

Print ISBN-13: 9780195696547

Published to Oxford Scholarship Online: October 2012

DOI: 10.1093/acprof:oso/9780195696547.001.0001

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A Conclusion

A Conclusion

Chapter:
(p.282) 8 A Conclusion
Source:
Seduced by the Familiar
Author(s):

M.K. Raghavendra

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195696547.003.0009

This chapter discusses the changing audience profile of Indian popular cinema. Whereas the earnings of Bollywood films in the international market were not substantial, this began to change and according to the last estimate, Indian films were earning overseas as much as they were from the domestic market—an indication that the reach of Indian cinema was gradually becoming global. Apart from discussing the gradually changing market of Bollywood films, this chapter also tackles the divergences of the film Titanic with the social constructs of Indian society and the prevailing themes of Indian films. The conclusion provides an analysis of Lagaan, the first Oscar-nominated Indian film. The latter part of the chapter delves into the contrasting issues of nationalism and globalism of Indian cinema, particularly the threats posed by globalization to the Indian film industry.

Keywords:   changing audience profile, Bollywood film, international market, Titanic, Lagaan, nationalism, globalization

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