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Mozart's GhostsHaunting the Halls of Musical Culture$
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Mark Everist

Print publication date: 2013

Print ISBN-13: 9780195389173

Published to Oxford Scholarship Online: September 2013

DOI: 10.1093/acprof:oso/9780195389173.001.0001

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Introduction

Introduction

Chapter:
(p.2) (p.3) { 1 } Introduction
Source:
Mozart's Ghosts
Author(s):

Mark Everist

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195389173.003.0001

Sources for the reception of Mozart's music since 1791 are overwhelmingly abundant, and any account has to select according to criteria that are logical and compelling. Much of this chapter develops the rationale outlined in the proposal, and sets out the range of sources and the theoretical roots of the methods used to explain them. It sets Mozart's Ghosts in context, bibliographically, aesthetically and axiologically.

Keywords:   mozart, reception, wirkung, konstanz school, niemetschek,: schlictergeroll, nisssen, holmes, jahn, köchel, ‘Prague’ symphony

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