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Praxial Music EducationReflections and Dialogues$
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David J Elliott

Print publication date: 2009

Print ISBN-13: 9780195385076

Published to Oxford Scholarship Online: January 2010

DOI: 10.1093/acprof:oso/9780195385076.001.0001

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Listening Reconsidered

Listening Reconsidered

Chapter:
(p.123) 7 Listening Reconsidered
Source:
Praxial Music Education
Author(s):

David J. Elliott

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195385076.003.07

Historically, music listening became a part of music education curricula when broadcasting and recording made both live and recorded performances widely available to school students. David Elliott claims that the most expert form of listening is listening within the act of making music. This chapter explores where Elliott places music listening in the context of the praxial philosophy he articulates in his 1995 book Music Matters: A New Philosophy of Music Education, the implications of his writings about music listening for music educators and music students, and other models and thinking that can contribute to the professional dialogue about music listening. Throughout his book, Elliott emphasizes actions — specifically, the actions of making music, which he labels “musicing”. He states that listening is “a covert (or internal) form of thinking-in-action and knowing-in-action that is procedural in essence”. One of the challenges in reading Elliott's work with respect to listening is that procedural knowledge is not the equivalent of music making.

Keywords:   music listening, music making, musicing, thinking-in-action, knowing-in-action, procedural knowledge

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