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Sound CommitmentsAvant-Garde Music and the Sixties$
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Robert Adlington

Print publication date: 2009

Print ISBN-13: 9780195336641

Published to Oxford Scholarship Online: May 2009

DOI: 10.1093/acprof:oso/9780195336641.001.0001

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Introduction

Introduction

Avant-garde Music and the Sixties

Chapter:
(p.3) Introduction
Source:
Sound Commitments
Author(s):

Robert Adlington

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195336641.003.0001

The artistic avant‐garde, many of its theorists seem to agree, is a culture of subversion. Yet recent Anglo‐American musicology has tended to emphasise avant‐garde music's disavowal of issues of social and political concern. This volume assesses the intense engagement of many avant‐garde musicians in the tumultuous cultural and political developments of the 1960s, and the complex and often ambivalent status of their efforts when viewed in the wider social context. These musicians' conviction that aesthetic experiment and social progressiveness made natural bedfellows inevitably threw up some sharp dilemmas. Each chapter is briefly summarized.

Keywords:   avant–garde music, the 1960s, engagement, aesthetic experiment, social progressiveness

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