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The Triumph of the CrossThe Passion of Christ in Theology and the Arts from the Renaissance to the Counter-Reformation$
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Richard Viladesau

Print publication date: 2008

Print ISBN-13: 9780195335668

Published to Oxford Scholarship Online: May 2008

DOI: 10.1093/acprof:oso/9780195335668.001.0001

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 The Cross in Early Renaissance Theology and Art

 The Cross in Early Renaissance Theology and Art

Chapter:
(p.11) 1 The Cross in Early Renaissance Theology and Art
Source:
The Triumph of the Cross
Author(s):

Richard Viladesau (Contributor Webpage)

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195335668.003.0002

This chapter examines the place of the cross in the theology and preaching of the century leading into the Protestant Reformation. The writings of Vincent Ferrer and Girolomo Savonarola provide examples of the stress placed in preaching on an emotional identification with the sufferings of Christ and of Mary. The theology of Gabriel Biel exemplifies the nominalist approach to soteriology. The art of Frà Angelico, the young Michelangelo, and other early Renaissance painters shows the effect of humanism on the portrayal of the Passion.

Keywords:   Renaissance, nominalism, humanism, Passion of Christ, Michelangelo, Frà, Angelico, Biel, Savonarola

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