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The Necessity of TheaterThe Art of Watching and Being Watched$
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Paul Woodruff

Print publication date: 2008

Print ISBN-13: 9780195332001

Published to Oxford Scholarship Online: May 2008

DOI: 10.1093/acprof:oso/9780195332001.001.0001

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Emotion

Emotion

Chapter:
(p.145) EIGHT Emotion
Source:
The Necessity of Theater
Author(s):

Paul Woodruff (Contributor Webpage)

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195332001.003.0010

The art of theater engages an audience through emotion by bringing them to care about the characters. Caring is not the same as sympathy. The absence of caring is boredom, which is fatal to theater. Good theater has an audience that cares, and is therefore subject to emotions on behalf of its characters. A complete emotion is felt by a subject, makes the subject feel like taking a certain action, and is at something or someone. A complete emotion therefore requires subjectivity, motivation to action, and intentionality. Emotion in theater presents two problems. The knowledge problem arises because intentionality does not seem to be able to take fictional objects. The action problem is due to the impossibility of taking action across the line between audience and performance. Some thinkers have been moved by these problems to deny that complete emotions arise in theater, but these problems are easily resolved, even for mimetic theater.

Keywords:   emotion, caring, boredom, sympathy, intentionality, subjectivity

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