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Theorizing the LocalMusic, Practice, and Experience in South Asia and Beyond$
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Richard Wolf

Print publication date: 2009

Print ISBN-13: 9780195331370

Published to Oxford Scholarship Online: September 2009

DOI: 10.1093/acprof:oso/9780195331370.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 20 September 2019

Sīna ba Sīna or “From Father to Son”

Sīna ba Sīna or “From Father to Son”

Writing the Culture of Discipleship

Chapter:
(p.165) Chapter 9 Sīna ba Sīna or “From Father to Son”
Source:
Theorizing the Local
Author(s):

Regula Burckhardt Qureshi

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195331370.003.0009

Discipleship is examined as a relational, multileveled, and highly contextual process of enculturation through the chapter's observations and experiences with hereditary bowed lute (sārangī) players and their biradaris. The chapter contends that discipleship has contributed to a counter-colonial ethnomusicology that has relevance beyond Hindustani music studies.

Keywords:   discipleship, sārangī, hereditary musicians, birādarī, Hindustani music, colonialism, enculturation

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