The conclusion provides a brief reflection on the argument of this book. It notes that evangelical prophecy fiction has complicated the narrative of American modernity by demonstrating that evangelicals are no longer a minor subculture. But it also notes that this social expansion has disguised the monochrome cultural assumptions of the novels and their implied readers. Most evangelical prophecy fiction has been written by and for white American men. But this consistent specificity of gender and race should not be allowed to obscure the ideological variety that haunts the narrative form. Evangelical prophecy fiction emerged from the high point of Protestant America, witnessed to its defeat, and participated in its eventual reconstruction and return. But in doing so, the conclusion argues, it may have reinvented American evangelicalism itself.
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