Antithesis and Tranquility
How can we quiet the mind? How can we prevent it from endlessly worrying away at philosophical questions that (according to Beckett at least) serve only to keep us awake at night, with no hope of ever being resolved? Simply ignoring them is not an option, since they lurk around the corner of every decision; nor will argument suffice, argument being merely a continuation of philosophy. What we need, again, is not a theory but a method, one in which each claim is systematically juxtaposed against its opposite, together with evidence just compelling enough to allow the two of them to cancel each other out. It is this method that Beckett’s Trilogy—Molloy, Malone Dies, The Unnamable—crucially offers its readers. A latter-day work of ancient skepticism, it begins from the same premise (intractability), aims at the same telos (ataraxia), and employs the same devices (antilogoi) along the way. What it provides, in the end, is not insight and not inspiration but the opportunity to detach ourselves from our desire for certainty and to achieve, for the first time, an enduring peace of mind.
Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
If you think you should have access to this title, please contact your librarian.