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Vaughan Williams on Music$
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David Manning

Print publication date: 2007

Print ISBN-13: 9780195182392

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780195182392.001.0001

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Eighth Symphony

Eighth Symphony

Chapter:
(p.383) Chapter 92 Eighth Symphony
Source:
Vaughan Williams on Music
Author(s):

David Manning

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195182392.003.0093

The Eighth Symphony is scored for what is known as the “Schubert” orchestra: with the addition of a harp. Also there is a large supply of extra percussion, including all the “phones” and “spiels” known to the composer. The first movement, as its title suggests, has been nicknamed “seven variations in search of a theme.” There is indeed no definite theme. The second movement (Scherzo) is, as its title suggests, for wind instruments only; namely, flute, piccolo, two oboes, two clarinets, three bassoons (third ad lib), two horns, two trumpets, and three trombones. In the third movement (Cavatina) the strings take over, thus giving the wind a well-earned rest. The fourth movement, Toccata, besides full strings and wind, commandeers all the available hitting instruments that can make definite notes, including glockenspiel, celesta, xylophone, vibraphone, tubular bells, and tunable gongs.

Keywords:   Eighth Symphony, Schubert orchestra, first movement, Scherzo, Cavatina, Toccata, wind instruments, second movement, third movement

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