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Vaughan Williams on Music$
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David Manning

Print publication date: 2007

Print ISBN-13: 9780195182392

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780195182392.001.0001

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Tuba Concerto

Tuba Concerto

Chapter:
(p.378) (p.379) Chapter 90 Tuba Concerto
Source:
Vaughan Williams on Music
Author(s):

David Manning

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195182392.003.0091

The form of the Tuba Concerto is nearer to the form of Johann Sebastian Bach than to that of the Viennese School, Wolfgang Amadeus Mozart, and Ludwig van Beethoven, though the first and last movements each finish up with an elaborate cadenza that allies the concerto to the Mozart-Beethoven form. The music is fairly simple and obvious and can probably be listened to without much previous explanation. The orchestration is that of the so-called theatre orchestra consisting of woodwind, two each of horns, trumpets and trombones, timpani, percussion and strings. Tuba concertos started to appear in the middle of the twentieth century, and finally gave lie to the cliché that the tuba was heavy, clumsy, and incapable of playing fast.

Keywords:   Tuba Concerto, Johann Sebastian Bach, Viennese School, Wolfgang Amadeus Mozart, Ludwig van Beethoven, cadenza, orchestration, theatre orchestra

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