Show Summary Details
- Title Pages
- Preface
- Acknowledgments
- Introduction
- Part I Mozart
- Chapter One Figaro’s Mistakes
- Chapter Two Musical Analysis as Stage Direction
- Chapter Three Crudel! perchè finora…
- Part II Schubert
- Chapter Four Music Theory, Phenomenology, and Modes of Perception
- Chapter Five Auf dem Flusse: Image and Background in a Schubert Song
- Chapter Six Ihr Bild
- Part III The Schumanns
- Chapter Seven Clara Schumann’s Setting of “Ich stand”
- Chapter Eight R. Schumann’s <i>Anfangs wollt’ ich</i>
- Chapter Nine Auf einer Burg
- Part IV Wagner
- Chapter Ten Amfortas’s Prayer to Titurel and the Role of D in <i>Parsifal</i>
- Chapter Eleven Some Notes on Analyzing Wagner
- Chapter Twelve Tristan
- Chapter Thirteen Die Schwestern
- Part VI Schoenberg
- Chapter Fourteen. Women’s Voices and the Fundamental Bass
- Chapter Fifteen Toward the Analysis of a Schoenberg Song (Op. 15, No. XI)
- Chapter Sixteen. A Way into Schoenberg’s Opus 15, Number VII
- Chapter Seventeen. Vocal Meter in Schoenberg’s Atonal Music, with a Note on a Serial <i>Hauptstimme</i>
- Chapter Eighteen Moses und Aron
- Part VII Babbitt
- Chapter Nineteen Some Problems and Resources of Music Theory
- Index
- [UNTITLED]
(p.xi) Introduction
(p.xi) Introduction
- Source:
- Studies in Music with Text
- Publisher:
- Oxford University Press
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- Title Pages
- Preface
- Acknowledgments
- Introduction
- Part I Mozart
- Chapter One Figaro’s Mistakes
- Chapter Two Musical Analysis as Stage Direction
- Chapter Three Crudel! perchè finora…
- Part II Schubert
- Chapter Four Music Theory, Phenomenology, and Modes of Perception
- Chapter Five Auf dem Flusse: Image and Background in a Schubert Song
- Chapter Six Ihr Bild
- Part III The Schumanns
- Chapter Seven Clara Schumann’s Setting of “Ich stand”
- Chapter Eight R. Schumann’s <i>Anfangs wollt’ ich</i>
- Chapter Nine Auf einer Burg
- Part IV Wagner
- Chapter Ten Amfortas’s Prayer to Titurel and the Role of D in <i>Parsifal</i>
- Chapter Eleven Some Notes on Analyzing Wagner
- Chapter Twelve Tristan
- Chapter Thirteen Die Schwestern
- Part VI Schoenberg
- Chapter Fourteen. Women’s Voices and the Fundamental Bass
- Chapter Fifteen Toward the Analysis of a Schoenberg Song (Op. 15, No. XI)
- Chapter Sixteen. A Way into Schoenberg’s Opus 15, Number VII
- Chapter Seventeen. Vocal Meter in Schoenberg’s Atonal Music, with a Note on a Serial <i>Hauptstimme</i>
- Chapter Eighteen Moses und Aron
- Part VII Babbitt
- Chapter Nineteen Some Problems and Resources of Music Theory
- Index
- [UNTITLED]