This afterword comments briefly on Eliot's Middlemarch to indicate the political conclusion to which the argument of this study leads. Although the preceding chapters analyze the plots of the fiction of the 1860s by treating the politics of class in relation to the practices of everyday life, Middlemarch, a novel begun in the last years of that decade, suggests the extent to which such texts also open themselves to more institutionally specific political readings. The debates surrounding the 1866 and 1867 franchise reform bills involved on a national scale the kind of exchange that Victorian novels enact on the level of relations between individuals, and the argument with which this study concludes, like those in the previous chapters, is based on the olfactory data provided by the many novels surveyed earlier and the perspectives on materiality that they offer. The evocative smells of Middlemarch exemplify the relationship between matter and spirit in high-Victorian fiction, and the case of one of its characters connects olfactory experience to the larger, presumably inodorate arena of institutional politics.
Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
If you think you should have access to this title, please contact your librarian.