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The Art of Performance$
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Heinrich Schenker and Heribert Esser

Print publication date: 2002

Print ISBN-13: 9780195151510

Published to Oxford Scholarship Online: May 2008

DOI: 10.1093/acprof:oso/9780195151510.001.0001

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Mode of Notation and Performance

Mode of Notation and Performance

Chapter:
(p.5) TWO Mode of Notation and Performance
Source:
The Art of Performance
Author(s):

Heinrich Schenker

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195151510.003.0002

This chapter argues that a composer's mode of notation indicates the desired effect, and that the performer must grasp the intention behind it. Examples demonstrate that interpreting indications literally can actually prevent the desired effect. The performer has the challenge of finding dissembling means which enable him to realize the composer's intentions. The importance of using an authentic text based on manuscripts and first editions is stressed.

Keywords:   effect, dissembling, authentic text, manuscripts, first editions

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