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Jesus of Hollywood$
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Adele Reinhartz

Print publication date: 2007

Print ISBN-13: 9780195146967

Published to Oxford Scholarship Online: May 2007

DOI: 10.1093/acprof:oso/9780195146967.001.0001

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Afterword: Jesus of Hollywood

Afterword: Jesus of Hollywood

Chapter:
(p.251) 13 Afterword: Jesus of Hollywood
Source:
Jesus of Hollywood
Author(s):

Adele Reinhartz (Contributor Webpage)

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195146967.003.0013

This chapter describes the progression from “Jesus of Nazareth” to “Jesus of Hollywood”, and summarizes the main conclusions of the previous chapters. If the historical Jesus of Nazareth was the unique and only Son of God as the Gospels proclaim, then Jesus of Hollywood is his opposite — multiple, diverse, and born of many parents. These include not only the directors of the Jesus biopics over the course of a century, but the numerous others professionals, including screenwriters, producers, camera operators, and costume and set designers, whose creative and technical work is essential for the production of any film. As the products of multiple authors, the biopic Jesuses have more in common with the main character of the Gospel narratives, who varies somewhat from text to text. Yet while some of the movie Saviors' actions and words resemble those attributed to Jesus in the Gospels, it is unlikely that the Evangelists would recognize their own particular Jesus in any of the films that have been discussed.

Keywords:   historical Jesus, Gospels, biographical movies, contemporary values

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