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Ottaviano PetrucciCatalogue Raisonne$
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Stanley Boorman

Print publication date: 2005

Print ISBN-13: 9780195142075

Published to Oxford Scholarship Online: September 2011

DOI: 10.1093/acprof:oso/9780195142075.001.0001

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Petrucci's Technical Legacy

Petrucci's Technical Legacy

Chapter:
(p.383) Chapter Eleven Petrucci's Technical Legacy
Source:
Ottaviano Petrucci
Author(s):

Stanley Boorman

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195142075.003.0012

The patterns of dissemination of Ottaviano Petrucci's editions and the manner in which later printers and scribes repeated and changed his reportorial decisions are important aspects of his legacy. Equally important, however, is the manner in which his technical innovations and procedures spread, in Italy and other parts of Europe. These issues are, of course, related to the larger question of printing music at all. Here, the concern is solely with technical issues. It is significant, if not surprising, that Andrea Antico printed exclusively from woodblocks. He called himself a miniator, presumably a decorator of manuscript and printed pages. Although his hand has not been identified in any manuscripts, he probably had copied manuscripts for some time before his first publication in 1510.

Keywords:   dissemination, Ottaviano Petrucci, manuscripts, printers, innovations, Italy, Europe, Andrea Antico, printing, music

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