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Print Culture and Music in Sixteenth-Century Venice$
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Jane A. Bernstein

Print publication date: 2002

Print ISBN-13: 9780195141085

Published to Oxford Scholarship Online: May 2008

DOI: 10.1093/acprof:oso/9780195141085.001.0001

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COMPOSERS, PATRONS, AND THE VENETIAN MUSIC PRESS

COMPOSERS, PATRONS, AND THE VENETIAN MUSIC PRESS

Chapter:
(p.99) Five COMPOSERS, PATRONS, AND THE VENETIAN MUSIC PRESS
Source:
Print Culture and Music in Sixteenth-Century Venice
Author(s):

Jane A. Bernstein

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195141085.003.0006

This chapter considers the influence the music-printing industry had upon its clients. It reveals the ways composers could augment their income by underwriting and then selling their own editions and, in some cases, even entering into the business of printing and publishing. The role of the patron and the involvement of the composer in the printing process are also addressed.

Keywords:   composer as underwriter, patronage, dedications, composer as printer

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