Jump to ContentJump to Main Navigation
Print Culture and Music in Sixteenth-Century Venice$
Users without a subscription are not able to see the full content.

Jane A. Bernstein

Print publication date: 2002

Print ISBN-13: 9780195141085

Published to Oxford Scholarship Online: May 2008

DOI: 10.1093/acprof:oso/9780195141085.001.0001

Show Summary Details
Page of

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 13 November 2019

THE FINANCING OF VENETIAN MUSIC BOOKS

THE FINANCING OF VENETIAN MUSIC BOOKS

Chapter:
(p.73) Three THE FINANCING OF VENETIAN MUSIC BOOKS
Source:
Print Culture and Music in Sixteenth-Century Venice
Author(s):

Jane A. Bernstein

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195141085.003.0004

This chapter examines the financial arrangements made in the publishing of music books, describing independent sponsorship and partnerships with other bookmen. Publications commissioned by composers and other third parties are also explained. The chapter defines the various relationships that existed among 16th-century Venetian music printers.

Keywords:   partnerships, financial backers, commissioned publications, connections among presses, sponsorship

Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .