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Speaking in Tongues and Dancing DiasporaBlack Women Writing and Performing$
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Mae G. Henderson

Print publication date: 2014

Print ISBN-13: 9780195116595

Published to Oxford Scholarship Online: August 2014

DOI: 10.1093/acprof:oso/9780195116595.001.0001

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Bebe Moore Campbell (1950–2006)

Bebe Moore Campbell (1950–2006)

Chapter:
(p.234) 16 Bebe Moore Campbell (1950–2006)
Source:
Speaking in Tongues and Dancing Diaspora
Author(s):

Mae G. Henderson

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195116595.003.0017

This chapter offers a memorial retrospective of novelist Bebe Moore Campbell, drawing on the parallels between the author’s and the critic’s common backgrounds and experiences. In novels such as Your Blues Ain’t Mine, Singing in the Comeback Choir, Brothers and Sisters, What You Owe Me, and 72-Hour Hold, Campbell’s subject, broadly speaking, is the modern condition and the human condition—not universalized and flattened out, but read through the complex lenses of race, gender, and class, as these categories intersect to shape individual lives in a society dominated by corporate, mass, and popular culture. Campbell provides what the great cultural critic Kenneth Burke describes as “literature as equipment for living.” Campbell’s novels address the social and psychic challenges and conflicts facing those who seek to live principled and accountable lives, informed by a sense of social justice and an ethic of care.

Keywords:   Mae G. Henderson, Bebe Moore Campbell, Kenneth Burke, “literature as equipment for living”, Your Blues Ain’t Mine, Singing in the Comeback Choir, Brothers and Sisters, What You Owe Me, 72-Hour Hold

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