Jump to ContentJump to Main Navigation
Composition in Black and WhiteThe Life of Philippa Schuyler$
Users without a subscription are not able to see the full content.

Kathryn Talalay

Print publication date: 1998

Print ISBN-13: 9780195113938

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780195113938.001.0001

Show Summary Details
Page of

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 29 February 2020

Rumpelstiltskin

Rumpelstiltskin

Chapter:
(p.105) 14 Rumpelstiltskin
Source:
Composition in Black and White
Author(s):

Kathryn Talalay

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195113938.003.0015

In the year 1946 Philippa made a debut in the bizarre double role of composer and performer and competed in several national composition contests, and she performed throughout America. All of this helped her to cope with the aftermath of reading the scrapbooks and superficially recover from her depression. Her double debut happened at Lewisohn Stadium and many music critics, like Robert Hague, were amazed with her performance. She performed “Rumplestiltskin” twice, first at Carnegie Hall and second during the annual Festival of Music and Art at Fisk University. Philippa was also invited to become a junior advisory editor for Calling All Girls, having herself a social life. Yet, the Schuylers during this time were experiencing financial difficulties as a result of the rising cost of Philippa's training. In addition her mother was also living beyond her means with a new gaudy lifestyle.

Keywords:   Rumplestiltskin, composer, debut, junior advisor editor, performer, Calling All Girls, financial difficulties

Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .