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The New Music TheaterSeeing the Voice, Hearing the Body$
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Eric Salzman and Thomas Desi

Print publication date: 2008

Print ISBN-13: 9780195099362

Published to Oxford Scholarship Online: January 2010

DOI: 10.1093/acprof:oso/9780195099362.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 18 November 2019

From the Homeland: Teatro Musicale

From the Homeland: Teatro Musicale

Chapter:
(p.170) Chapter 10 From the Homeland: Teatro Musicale
Source:
The New Music Theater
Author(s):

Eric Salzman

Thomas Desi

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195099362.003.0014

This chapter discusses fascism and futurism in Italy; Luigi Dallapiccola; politics, improvisation, post-serialism, the return of the human voice, relationship of opera and music theater; Berio, Nono, Bussotti, Maderna; the 1968 and post-1968 generations; and postmodernism and experimentalism in the work of younger Italian composers.

Keywords:   futurism, fascism, Luigi Dallapiccola, Berio, Nono, Bussotti, Maderna, post-1968 generations, postmodernism

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