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Dvorák to Duke EllingtonA Conductor Rediscovers America's Music and Its African-American Roots$
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Maurice Peress

Print publication date: 2004

Print ISBN-13: 9780195098228

Published to Oxford Scholarship Online: May 2008

DOI: 10.1093/acprof:oso/9780195098228.001.0001

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The Clef Club Concert

The Clef Club Concert

Chapter:
(p.99) 11 The Clef Club Concert
Source:
Dvorák to Duke Ellington
Author(s):

Maurice Peress

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195098228.003.0012

This chapter presents the detailed story of another historic recreation, this time on the stage of Carnegie Hall where in 1912 the Clef Club concert took place. New challenges were met: an unusual mix, the forming of a new Clef Club orchestra that included thirty strummers — ten each of mandolins, guitars and a rare harp guitar, and banjos — all of whom read complicated music very well; a boys' and men's choir; and a concert orchestra including eight pianists and various soloists. Will Marion Cook's dialect song, “Swing Along” for chorus and orchestra stopped the show as it did sixty seven years earlier.

Keywords:   Will Marion Cook, James Reese Europe, harp guitar, mandolin, banjo

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