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Jazz Changes$
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Martin Williams

Print publication date: 1993

Print ISBN-13: 9780195083491

Published to Oxford Scholarship Online: October 2011

DOI: 10.1093/acprof:oso/9780195083491.001.0001

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The Murder Ballad …

The Murder Ballad …

Chapter:
(p.158) The Murder Ballad …
Source:
Jazz Changes
Author(s):

Williams Martin

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780195083491.003.0023

“Wolverine Blues” is one of Jelly Roll Morton's most successful records. It contains some of the very best in this series, but it had one weird lapse, and he played a part of it better than his other versions. “Wolverine Blues” was not blues, neither an 8-, 12-, or 16-bar blues. “Wolverine Blues” was a record in three themes, A, B, A, C. Morton played A and another variation on A with a stiffer beat. Theme B was the basis for the two choruses. Morton started at A, but changed to the interlude leading to C.

Keywords:   Wolverine Blues, blues, themes, interlude, stiff, variation

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