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Necessary NoiseMusic, Film, and Charitable Imperialism in the East of Congo$
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Chirie Rivers Ndaliko

Print publication date: 2016

Print ISBN-13: 9780190499570

Published to Oxford Scholarship Online: October 2016

DOI: 10.1093/acprof:oso/9780190499570.001.0001

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PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 21 November 2019

Epilogue

Epilogue

Chapter:
(p.251) Epilogue
Source:
Necessary Noise
Author(s):

Chérie Rivers Ndaliko

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780190499570.003.0006

Hatukupanda kwa bega ya wazee wetu kuangalia vidole yao ya miguu.

(We did not climb on the shoulders of our elders to look at their toes).

SWAHILI PROVERB

IN JULY 2014, the New York Times published an article, “Arts Sanctuary in a War-torn City: In Congo Salaam Kivu Festival Brings Performers to Goma,” that featured Yole!Africa on the front page of the arts section with full-color photographs and celebratory prose. In uncanny synchronicity, within days of this article’s publication Petna was quite nearly killed by an extremely agitated and heavily armed lieutenant of the army who was intent on preventing him from filming a contemporary dance sequence for the creative documentary film he was making to recount Congo’s history through dance. These events were entirely unrelated, yet I cannot but read in their confluence a microcosmic narrative that mirrors my own throughout this book....

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