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Pieces of TraditionAn Analysis of Contemporary Tonal Music$
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Daniel Harrison

Print publication date: 2016

Print ISBN-13: 9780190244460

Published to Oxford Scholarship Online: June 2016

DOI: 10.1093/acprof:oso/9780190244460.001.0001

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Styles

Styles

Chapter:
(p.134) Chapter Five Styles
Source:
Pieces of Tradition
Author(s):

Daniel Harrison

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780190244460.003.0005

Cultural contexts for the starting conditions of contemporary are explored, with a particular focus on the responses of composers who finished their training and entered the profession just as its practices were changing radically, around 1910. Their situation is analyzed according to Edward Hall’s definition of high- and low-context cultures, Kenneth Burke’s concept of “piety,” and the psychological stress of “choice anxiety.” These lead to behaviors that can be read in musical compositions according to a few heuristic binaries: (1) attitudes to historical practice (ironic, sincere); (2) preferences about appeal (popular, rarefied); and (3) identification with communities (local, global). Essays on compositions by Shostakovich, Hindemith, Bernstein, Wilson, Chen, Martin, Barber, Shire, and Prokofiev illustrate pertinent analytic techniques.

Keywords:   Dmitri Shostakovich, Paul Hindemith, Leonard Bernstein, Brian Wilson, Xiaoyong Chen, Frank Martin, Samuel Barber, David Shire, Sergei Prokofiev, Early Modernism in Music, Kenneth Burke

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