Jump to ContentJump to Main Navigation
Feast of ExcessA Cultural History of the New Sensibility$
Users without a subscription are not able to see the full content.

George Cotkin

Print publication date: 2016

Print ISBN-13: 9780190218478

Published to Oxford Scholarship Online: December 2015

DOI: 10.1093/acprof:oso/9780190218478.001.0001

Show Summary Details
Page of

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in OSO for personal use. date: 11 December 2019

Picking His Nose at Tradition

Picking His Nose at Tradition

Andy Warhol 1963

Chapter:
(p.171) { 12 } Picking His Nose at Tradition
Source:
Feast of Excess
Author(s):

George Cotkin

Publisher:
Oxford University Press
DOI:10.1093/acprof:oso/9780190218478.003.0014

Andy Warhol took over the art world with his pop creations in 1963. Dismissing abstract expressionism’s pretensions, Warhol’s silk-screening method resulted in multiple, albeit slightly different, renditions of various subjects, ranging from Campbell’s Soup cans to Hollywood film icons. He did not ignore the violence in American culture, completing an important series, Death and Disaster, which included various images of the electric chair that had been used in the execution of the Rosenbergs. His exhibition of Brillo boxes raised in the mind of philosopher Arthur Danto significant questions about the very nature of art. Warhol continued to flourish when he moved into film, showing how excess—in the direction of tedium—might open up new doors to perception. In one case, he filmed John Giorno over many hours while he slept—a case of voyeurism and boredom writ large.

Keywords:   Andy Warhol, Death and Disaster series, Empire, Brillo boxes, Arthur Danto, John Giorno, pop art

Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .