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Zoppelli, L. (2013-07-11). “Mors stupebit”: multiple levels of fear-arousing mechanisms in Verdi’s Messa da Requiem. In The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control. : Oxford University Press. Retrieved 24 Jan. 2020, from https://www.oxfordscholarship.com/view/10.1093/acprof:oso/9780199654888.001.0001/acprof-9780199654888-chapter-11.