Jump to ContentJump to Main Navigation
Distributed CreativityCollaboration and Improvisation in Contemporary Music$
Users without a subscription are not able to see the full content.

Eric F. Clarke and Mark Doffman

Print publication date: 2017

Print ISBN-13: 9780199355914

Published to Oxford Scholarship Online: December 2017

DOI: 10.1093/oso/9780199355914.001.0001

Show Summary Details
Page of

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in OSO for personal use (for details see www.oxfordscholarship.com/page/privacy-policy).date: 22 January 2019

Intervention

Intervention

Knots and other forms of entanglement

Chapter:
(p.207) Intervention
Source:
Distributed Creativity
Author(s):

Liza Lim

Publisher:
Oxford University Press
DOI:10.1093/oso/9780199355914.003.0018

In this Intervention the composer Liza Lim reflects on the interwoven and textilic character of her music-making, and on the improvising and collaborative relationship that she sustains with her materials. The Intervention focuses specifically on knots as a way of thinking about the creative interactions between people, instruments, musical materials and processes, and temporal structures.

Keywords:   improvisation, knots, textility, friction, collaboration

Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .