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The Nostalgic ImaginationHistory in English Criticism$
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Stefan Collini

Print publication date: 2019

Print ISBN-13: 9780198800170

Published to Oxford Scholarship Online: November 2018

DOI: 10.1093/oso/9780198800170.001.0001

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Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
The Nostalgic Imagination
Author(s):

Stefan Collini

Publisher:
Oxford University Press
DOI:10.1093/oso/9780198800170.003.0001

The Introduction defines the character and scope of the book. It surveys the ways in which ‘general history’ and ‘literary history’ were related in the nineteenth century and how both were bound up with Whiggish interpretations of the national past. It identifies the significant change that was brought about by the more strenuous forms of ‘criticism’ that developed in the wake of the early work of T. S. Eliot and was carried on by such leading critics as William Empson and F. R. Leavis. It argues that a whole variety of forms of historical interpretation and historical assumption was present in the work of these critics, often carrying a strongly declinist message, and that such work filled a vacuum in wider public debate left by the withdrawal of History as an academic discipline into austere, archive-based research that eschewed larger interpretations about the direction of historical change.

Keywords:   literary criticism, intellectual history, twentieth-century Britain, historiography, English studies

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