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Inner SoundAltered States of Consciousness in Electronic Music and Audio-Visual Media$
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Jonathan Weinel

Print publication date: 2018

Print ISBN-13: 9780190671181

Published to Oxford Scholarship Online: March 2018

DOI: 10.1093/oso/9780190671181.001.0001

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Trance Systems

Trance Systems

Chapter:
(p.73) Chapter 4 Trance Systems
Source:
Inner Sound
Author(s):

Jonathan Weinel

Publisher:
Oxford University Press
DOI:10.1093/oso/9780190671181.003.0005

This chapter explores how sound systems place electronic sounds in a social context, eliciting powerful affective experiences that are framed by conceptual meaning. The chapter begins by tracing the origins of the sound system culture and dub-reggae of Jamaica. This approach, which prioritizes DJ performances over ‘live’ musicians, would prefigure the electronic dance music culture of the 1980s and 1990s. Exploring this area, this chapter examines how the design of Chicago house and Detroit techno provided high-energy dance experiences that reflected the ethos of the respective sub-cultures. Later, in the UK rave scene, breakbeat hardcore, drum & bass, and ambient house each used sound design to support an accelerated youth-culture fuelled by ecstasy, delivering trance-like experiences framed by conceptual meaning. In the global Goa trance and psy-trance scenes, this capability is explicitly characterized as ‘technoshamanic’, and the DJ as a ‘master of ecstasies’.

Keywords:   electronic dance music, sound systems, trance, rave culture, technoshamanism, altered states, DJ culture, breakbeats, psychedelics, afrofuturism

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