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Inner SoundAltered States of Consciousness in Electronic Music and Audio-Visual Media$
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Jonathan Weinel

Print publication date: 2018

Print ISBN-13: 9780190671181

Published to Oxford Scholarship Online: March 2018

DOI: 10.1093/oso/9780190671181.001.0001

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Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Inner Sound
Author(s):

Jonathan Weinel

Publisher:
Oxford University Press
DOI:10.1093/oso/9780190671181.003.0001

This introduction to Inner Sound: Altered States of Consciousness in Electronic Music and Audio-Visual Media outlines the background, aims, and scope of the book. The chapter begins by introducing altered states of consciousness through a description of visual hallucinations, which may have provided a basis for some of the oldest-known artworks. Next, a brief historical overview of altered states is given, from ancient shamanic traditions and cults, to modern-day use of psychedelic drugs such as LSD. The use of altered states in these contexts has resulted in a variety of associated art, literature, music, films, and video games, which in recent years have been rendered with the aid of new sound and audio-visual technologies. These works provide the main focus of Inner Sound, which explores the relationship of altered states of consciousness with electronic music and audio-visual media, in order to develop a conceptual theory of ‘Altered States of Consciousness Simulations’.

Keywords:   electronic music, audio-visual media, altered states, video games, virtual reality, shamanism, psychedelics, trance, electronic dance music, visual music

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