Jump to ContentJump to Main Navigation
Satanic FeminismLucifer as the Liberator of Woman in Nineteenth-Century Culture$
Users without a subscription are not able to see the full content.

Per Faxneld

Print publication date: 2017

Print ISBN-13: 9780190664473

Published to Oxford Scholarship Online: September 2017

DOI: 10.1093/oso/9780190664473.001.0001

Show Summary Details
Page of

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2019. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in OSO for personal use (for details see www.oxfordscholarship.com/page/privacy-policy).date: 24 March 2019

Witches as Rebels against Patriarchy

Witches as Rebels against Patriarchy

Chapter:
(p.197) 6 Witches as Rebels against Patriarchy
Source:
Satanic Feminism
Author(s):

Per Faxneld

Publisher:
Oxford University Press
DOI:10.1093/oso/9780190664473.003.0006

Chapter 6 provides a reading of how the subversive potential of the figure of the witch was utilized to attack the oppression of women. It commences with a discussion of Jules Michelet’s La Sorcière (1862), then considers how medical discourse on historical witches as hysterics was conflated with slander of feminists as hysterical and caricatures of them as witches. After that follows a treatment of American feminist Matilda Joslyn Gage, who presented the early modern witch cult as a Satanic rebellion against patriarchal injustice, and folklorist Charles Leland, who drew approbatory parallels between witches and the feminism of his day. The chapter demonstrates how Gage borrowed from both Michelet and Blavatsky in her texts. Finally, visual representations of the witch are discussed, focusing on how she was a symbol of female strength in both positive and negative ways in the sculptures and paintings of male as well as female artists.

Keywords:   witch, witchcraft, witch trials, feminism, Satanism, Jules Michelet, Matilda Joslyn Gage, Charles Leland, art, literature

Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .