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Mirrors of Heaven or Worldly Theaters?Venetian Nunneries and Their Music$
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Jonathan E. Glixon

Print publication date: 2017

Print ISBN-13: 9780190259129

Published to Oxford Scholarship Online: September 2017

DOI: 10.1093/oso/9780190259129.001.0001

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Public Liturgy

Public Liturgy

Professional Male Musicians in the Exterior Church

Chapter:
(p.23) Chapter 2 Public Liturgy
Source:
Mirrors of Heaven or Worldly Theaters?
Author(s):

Jonathan E. Glixon

Publisher:
Oxford University Press
DOI:10.1093/oso/9780190259129.003.0002

Unlike those in many other cities, Venetian nuns acted primarily as patrons, rather than performers. This chapter examines the employment of musicians, both singers and instrumentalists, for a wide range of religious occasions, from weekly sung Masses involving primarily clergy, to annual public expositions of the Holy Sacrament, to spectacular celebrations of the annual patronal feast of each nunnery, with the participation of some of the most important musicians of the city. These events were witnessed and described by both Venetians and foreign visitors, and were publicized in visitors’ guidebooks by such people as Vincenzo Coronelli. Both civic and ecclesiastical authorities attempted, with varying degrees of success, to limit expenditures for these events and what was sometimes seen as excessive display, more appropriate for the theater than the church. Authorities also worked to restrict contact between the nuns and the men whom they paid to perform.

Keywords:   patronage, expositions of the Holy Sacrament, Vincenzo Coronelli, patronal feast, Mass, Divine Office

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