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Local FusionsFolk Music Experiments in Central Europe at the Millennium$
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Barbara Rose Lange

Print publication date: 2018

Print ISBN-13: 9780190245368

Published to Oxford Scholarship Online: July 2018

DOI: 10.1093/oso/9780190245368.001.0001

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Local Identity, World Music 2.0, and Electronic Dance Music

Local Identity, World Music 2.0, and Electronic Dance Music

Chapter:
(p.153) 8 Local Identity, World Music 2.0, and Electronic Dance Music
Source:
Local Fusions
Author(s):

Barbara Rose Lange

Publisher:
Oxford University Press
DOI:10.1093/oso/9780190245368.003.0009

Chapter 8 discusses the orientation of Central European musicians to aesthetics, production technologies, and distribution networks of the turn of the millennium that are collectively termed world music 2.0, arguing that study of local information flow enriches the overall notion of world music 2.0. The chapter reviews how electronic dance music (EDM) became a key component of the millennial sound world and of world music 2.0 in Central Europe. The chapter then describes musicians who continue to think locally as they merge sensibilities: the Slovak duo Longital developed a futurist aesthetic; the Austrian composer and musician Christof Dienz blended alpine ideas, avant-garde art music, and EDM; and Hungarian composer-producer Károly Cserepes infused musical dreamscapes with local sounds. The chapter concludes that the Central European musicians occupy a liminal space between analog world music 1.0 and networked world music 2.0.

Keywords:   world music 2.0, electronic dance music, EDM, Longital, Christof Dienz, Károly Cserepes, sampling, Slovakia, Hungary, Austria

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