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Schumann$

Eric Jensen

Print publication date: 2012

Print ISBN-13: 9780199737352

Published to Oxford Scholarship Online: May 2015

DOI: 10.1093/acprof:osobl/9780199737352.001.0001

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(p.350) Appendix D Select Bibliography

(p.350) Appendix D Select Bibliography

Source:
Schumann
Publisher:
Oxford University Press

Thematic Catalogues and Listing of First Editions

Hofmann, Kurt. Die Erstdrucke der Werke von Robert Schumann. Tutzing: Hans Schneider, 1979.

Hofmann, Kurt, and Siegmar Keil. Robert Schumann: Thematisches Verzeichnis sämtlichen im Druck erschienen musikalischen Werke. 5th ed. Hamburg: Schuberth, 1982.

McCorkle, Margit L. Robert Schumann: Thematisch-Bibliographisches Werkverzeichnis. Mainz: Schott, 2003.

Correspondence, Diaries, and Writings by Schumann

Appel, Bernhard R., ed. Robert Schumann in Endenich (1854–1856): Krankenakten, Briefzeugnisse und zeitgenoessische Berichte. Mainz: Schott, 2006.

Erler, Hermann. Robert Schumann’s Leben: Aus seinen Briefen geschildert. 2 vols. Berlin: Ries & Erler, 1887.

Holde, Artur. “Suppressed Passages in the Brahms-Joachim Correspondence Published for the First Time,” The Musical Quarterly 45 (1959), pp. 312–24.

Jansen, F. Gustav. “Briefwechsel zwischen Robert Franz und Robert Schumann.” Die Musik 8 (1908/09), pp. 280–91; 346–59.

Kross, Siegfried, ed. Briefe und Notizen Robert und Clara Schumanns. 2nd ed. Bonn: Bouvier Verlag, 1982.

Schumann, Clara, and Robert Schumann. Briefwechsel: Kritische Gesamtausgabe, ed. Eva Weiss-weiler 2 vols. Frankfurt am Main: Stroemfeld/Roter Stern, 1984–1987.

Schumann, Clara, and Robert Schumann. The Complete Correspondence of Clara and Robert Schumann, ed. Eva Weissweiler Trans. Hildegard Fritscht and Ronald L. Crawford 3 vols. New York: Lang, 1994–2002.

Schumann, Clara, and Robert Schumann. The Marriage Diaries, trans. P. Ostwald. Boston: Northeastern University Press, 1993.

Schumann, Robert. Briefe: Neue Folge, ed. F. Gustav Jansen Leipzig: Breitkopf und Härtel, 1904.

Schumann, Robert. Briefe und Gedichte aus dem Album Robert und Clara Schumanns, ed. Wolfgang Boetticher Leipzig: VEB Deutscher Verlag für Musik, 1981.

Schumann, Robert. Gesammelte Schriften über Musik und Musiker, ed. Martin Kreisig 2 vols. Leipzig: Breitkopf & Härtel, 1914.

(p.351) Schumann, Robert. Haushaltbücher, 1837–1856, ed. Gerd Nauhaus. 2 vols. Leipzig: VEB Deutscher Verlag für Musik, 1982.

Schumann, Robert. Jugendbriefe, ed. Clara Schumann Leipzig: Breitkopf & Härtel, 1886.

Schumann, Robert. Der junge Schumann: Dichtungen und Briefe, ed. Alfred Schumann Leipzig: Insel-Verlag, 1917.

Schumann, Robert. Letters, ed. Karl Storck Trans. H. Bryant New York: Blom, 1971 (reprint of 1907 edition).

Schumann, Robert. Manuskripte—Briefe—Schumanniana—Katalog Nr. 188. Tutzing: Musikan-tiquariat Hans Schneider, 1974.

Schumann, Robert. The Musical World of Robert Schumann: A Selection from Schumann’s Own Writings, ed. and trans. Henry Pleasants London: Gollancz, 1965.

Schumann, Robert. Tagebücher: 1827–1838, ed. Georg Eismann Leipzig: VEB Deutscher Verlag für Musik, 1971.

Schumann, Robert. Tagebücher: 1836–1854, ed. Gerd Nauhaus Leipzig: VEB Deutscher Verlag für Musik, 1987.

Books

Abraham, Gerald, ed. Schumann: A Symposium. London: Oxford University Press, 1952.

Bischoff, Bodo. Monument für Beethoven: Die Entwicklung der Beethoven-Rezeption Robert Schumanns. Cologne: Verlag Dohr, 1994.

Boetticher, Wolfgang. Robert Schumanns Klavierwerke: Teil I: Opp. 1–6; Teil II: Opp. 7–13. 2 vols. Wilhelmshaven: Heinrichshofen’s Verlag, 1976, 1984.

Brion, Marcel. Schumann and the Romantic Age, trans. G. Sainsbury London: Collins, 1956.

Daverio, John. Robert Schumann: Herald of a “New Poetic Age.” New York: Oxford University Press, 1997.

Eismann, Georg. Robert Schumann: Ein Quellenwerk über sein Leben und Schaffen. 2 vols. Leipzig: Breitkopf & Härtel, 1956.

Finson, Jon. Robert Schumann: The Book of Song. Cambridge: Harvard University Press, 2007.

Finson, Jon. Robert Schumann and the Study of Orchestral Composition: The Genesis of the First Symphony op. 38. Oxford: Clarendon Press, 1989.

Finson, Jon W., and R. Larry Todd, eds. Mendelssohn and Schumann: Essays on Their Music and Its Context. Durham, NC: Duke University Press, 1984.

Fischer-Dieskau, Dietrich. Robert Schumann—Words and Music: The Vocal Compositions. Portland: Amadeus Press, 1988.

Hallmark, Rufus. The Genesis of Schumann’s Dichterliebe. Ann Arbor: UMI Press, 1976.

Heero, Aigi. Robert Schumanns Jugendlyrik: Kritische Edition und Kommentar. Sinzing: Studio Verlag, 2003.

Jansen, F. Gustav. Die Davidsbündler. Leipzig: Breitkopf & Härtel, 1883.

Kapp, Reinhard. Studien zum Spätwerk Robert Schumanns. Tutzing: Hans Schneider, 1984.

Kast, Paul, ed. Schumanns rheinische Jahre. Düsseldorf: Droste, 1981.

Koch, Tobias and Klaus Martin Kopitz, eds. Nota Bene. Norbert Bürgmüller. Cologne: Verlag Dohr, 2009.

Krebs, Harold. Fantasy Pieces: Metrical Dissonance in the Music of Robert Schumann. Oxford: Oxford University Press, 1999.

Litzmann, Berthold. Clara Schumann—Ein Künstlerleben: Nach Tagebüchern und Briefen. 3 vols.Hildesheim: Georg Olms, 1971 (reprint of 1908 edition).

Loos, Helmut, ed. Robert Schumann: Interpretationen seiner Werke. 2 vols. Koethen: Laaber-Verlag, 2005.

Macdonald, Claudia. Robert Schumann and the Piano Concerto. New York: Routledge, Taylor & Francis, 2005.

Marston, Nicholas. Schumann: Fantasie Op. 17. Cambridge, UK: Cambridge University Press,1992.

(p.352) Mayeda, Akio. Robert Schumanns Weg zur Symphonie. Zürich: Atlantis, 1992.

Niecks, Frederick. Robert Schumann. London: J. M. Dent, 1925.

Ostwald, Peter. Schumann: The Inner Voices of a Musical Genius. Boston: Northeastern University Press, 1985.

Ozawa, Kazuko. Quellenstudien zu Robert Schumanns Lieder nach Adelbert von Chamisso. Frankfurt: Peter Lang, 1989.

Payk, Theo R. Robert Schumann: Lebenslust und Leidenszeit. Bonn: Bouvier, 2006.

Perrey, Beate, ed. The Cambridge Companion to Schumann. Cambridge, UK: Cambridge University Press, 2007.

Reich, Nancy B. Clara Schumann: The Artist and the Woman. Ithaca, NY: Cornell University Press, 1985.

Reiman, Erika. Schumann’s Piano Cycles and the Novels of Jean Paul. Rochester: University of Rochester Press, 2004.

Sams, Eric. The Songs of Robert Schumann. 3rd edition. Bloomington, IN: Indiana University Press, 1993.

Schumann, Eugenie. The Memoirs of Eugenie Schumann. New York: Dial, 1927.

Schumann, Eugenie. Robert Schumann: Ein Lebensbild meines Vaters. Leipzig: Koehler & Ame-lang, 1931.

Taylor, Ronald. Robert Schumann: His Life and Work. New York: Universe Books, 1982.

Todd, R. Larry, ed. Schumann and His World. Princeton, NJ: Princeton University Press, 1994.

Tunbridge, Laura. Schumann’s Late Style. Cambridge, UK: Cambridge University Press, 2007.

Walker, Alan, ed. Robert Schumann: The Man and His Music. London: Barrie & Jenkins, 1972.

Wasielewski, Wilhelm Joseph von. Robert Schumann: Eine Biographie. 4th ed. Leipzig: Breitkopf & Härtel, 1906.

Worthen, John. Robert Schumann. The Life and Death of a Musician. New Haven, CT: Yale University Press, 2007.

Articles

Abert, Hermann. “Robert Schumann’s ‘Genoveva,’ ” Zeitschrift der Internationalen Musikge-sellschaft 9 (1910), pp. 277–89.

Abraham, Gerald. “Schumann’s Op. II and III,” in Slavonic and Romantic Music. London: Faber and Faber, 1968, pp. 261–66.

Dadelson, Georg von. “Robert Schumann und die Musik Bachs,” Archiv für Musikwissenschaft 14 (1957), pp. 46–59.

Deutsch, Otto Erich. “The Discovery of Schubert’s Great C-major Symphony: A Story in Fifteen Letters,” The Musical Quarterly 38 (1952), pp. 528–32.

Draheim, Joachim. “Schumann und Shakespeare,” Neue Zeitschrift für Musik 141 (1981), pp. 237–44.

Dusella, Reinhold. “Symphonisches in den Skizzenbüchern Schumanns,” in Siegfried Kross, ed. Probleme der symphonischen Tradition im 19. Jahrhundert. Tutzing: Hans Schneider, 1990, pp.203–24.

Eismann, Georg. “Zu Robert Schumanns letzten Kompositionen,” Beiträge zur Musikwissenschaft 28 (1968), pp. 151–57.

Finson, Jon. “Schumann, Popularity, and the Overtüre, Scherzo, und Finale, Opus 52,” The Musical Quarterly 49 (1983), pp. 1–26.

Finson, Jon W. “Schumann’s Mature Style and the Album of Songs for the Young” The Journal of Musicology 8 (1990), pp. 227–50.

Fiske, Roger. “A Schumann Mystery,” The Musical Times 105 (1964), pp. 574–78.

Gülke, Peter. “Zu Robert Schumanns ‘Rheinischer Sinfonie,’ ” Beiträge zur Musikwissenschaft 21 (1974), pp. 123–35.

Hallmark, Rufus. “The Rückert Lieder of Robert and Clara Schumann,” 19th-Century Music 14 (1990–91), pp. 3–30.

(p.353) Jensen, Eric Frederick. “Explicating Jean Paul: Robert Schumann’s Program for Papillons, Op. 2,” 19th-Century Music 22 (1998–99), pp. 127–44.

Jensen, Eric Frederick. “A New Manuscript of Robert Schumann’s Waldszenen Op. 82,” The Journal of Musicology 7 (1989), pp. 69–89.

Jensen, Eric Frederick. “Norbert Burgmüller and Robert Schumann,” The Musical Quarterly 74 (1990), pp. 550–65.

Jensen, Eric Frederick. “Schumann at Endenich,” The Musical Times 139 (1998, March and April), pp. 10–19; 14–24.

Jensen, Eric Frederick. “Schumann, Hummel, and ‘The Clarity of a Well-Planned Composition,’” Studia Musicologica 40 (1999), pp. 59–70.

Kross, Siegfried. “Aus der Frühgeschichte von Robert Schumanns Neue Zeitschrift für Musik,” Die Musikforschung 34 (1981), pp. 423–45.

Laux, Karl. “ ‘Dresden ist doch gar zu schön’—Schumann in der sächsischen Hauptstadt—Eine Ehrenrettung,” in Hans Joachim Moser and Eberhard Rebling, eds. Robert Schumann: Aus Anlass seines 100 Todestages. Leipzig: VEB Verlag, 1956, pp. 25–42.

Lester, Joel. “Robert Schumann and Sonata Forms,” 19th-Century Music 18 (1994–95), pp. 189–210.

Lippman, Edward A. “Theory and Practice in Schumann’s Aesthetics,” Journal of the American Musicological Society 17 (1964), pp. 310–45.

Mintz, Donald. “Schumann as an Interpreter of Goethe’s Faust” Journal of the American Musicological Society 14 (1961), pp. 235–56.

Myers, Rollo H. “Finding a Lost Schumann Concerto,” in Felix Aprahamian, ed. Essays on Music: An Anthology from “The Listener.” London: Cassell, 1967, pp. 223–27.

Nauhaus, Gerd. “Der Rose Pilgerfahrt op. 112: Schumanns Abschied von Oratorium,” in Bernhard R. Appel, ed. Schumann in Düsseldorf: Werke-Texte-Interpretationen. Mainz: Schott, 1993, pp. 179–99.

Newcomb, Anthony. “Once More ‘Between Absolute and Program Music’: Schumann’s Second Symphony,” 19th-Century Music 7 (1983–84), pp. 233–50.

Roe, Stephen. “The Autograph Manuscript of Schumann’s Piano Concerto,” The Musical Times 131 (1990), pp. 77–79.

Roesner, Linda Correll. “Schumann’s ‘Parallel’ Forms,” 19th-Century Music 14 (1990–91), pp. 265–78.

Roesner, Linda Correll. “Schumann’s Revisions in the First Movement of the Piano Sonata in G Minor, Op. 22,” 19th-Century Music 1 (1977–78), pp. 97–109.

Roesner, Linda Correll. “Tonal Strategy and Poetic Content in Schumann’s C-major Symphony, Op. 61,” in Siegfried Kross, ed. Probleme der symphonischen Tradition im 19. Jahrhundert. Tutzing: Hans Schneider, 1990, pp. 295–306.

Sams, Eric. “Politics, Literature, and People in Schumann’s Op. 136,” The Musical Times 109 (1968), pp. 25–27.

Sams, Eric. “Schumann and Faust,” The Musical Times 113 (1972), pp. 543–46.

Schnapp, Friedrich. “Robert Schumann and Heinrich Heine,” The Musical Quarterly 11 (1925), pp. 599–616.

Schoppe, Martin. “Schumanns fruhe Texte und Schriften,” in Akio Mayeda and Klaus Wolfgang Niemöller, eds. Schumanns Werke: Text und Interpretationen. Mainz: Schott, 1987, pp. 7–15.

Schroeter, Wolfgang. “Quand le droit mène à la musique: Anton Friedman Justus Thibaut et Robert Schumann,” Revue musical de la suisse romande 56 (2003), pp. 46–61.

Shitomirski, Daniel. “Schumann in Russland,” in Sammelbände der Robert-Schumann-Gesellschaft, Vol. I. Leipzig: VEB Deutscher Verlag für Musik, 1961, pp. 19–47.

Siegel, Linda. “A Second Look at Schumann’s Genoveva,” The Music Review 36 (1975), pp.17–43.

Sietz, Reinhold. “Zur Textgestaltung von Robert Schumanns ‘Genoveva,’ ” Die Musikforschung 23 (1970), pp. 395–410.

(p.354) Temperley, Nicholas. “Schumann and Sterndale Bennett,” 19th-Century Music 12 (1988–89), pp.207–20.

Truscott, Harold. “The Evolution of Schumann’s Last Period,” The Chesterian 31 (1957), pp. 76–84, 103–111.

Turchin, Barbara. “Schumann’s Conversion to Vocal Music: A Reconsideration,” The Musical Quarterly 67 (1981), pp. 392–404.

Wendt, Matthias. “Zu Robert Schumanns Skizzenbüchern,” in Akio Mayeda and Klaus Wolfgang Niemöller, eds. Schumanns Werke: Text und Interpretationen. Mainz: Schott, 1987, pp.101–14.