Jump to ContentJump to Main Navigation
The Oxford Critical and Cultural History of Modernist MagazinesVolume I: Britain and Ireland 1880-1955$

Peter Brooker and Andrew Thacker

Print publication date: 2013

Print ISBN-13: 9780199654291

Published to Oxford Scholarship Online: March 2015

DOI: 10.1093/acprof:osobl/9780199654291.001.0001

Show Summary Details
Page of

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2017. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in OSO for personal use (for details see http://www.oxfordscholarship.com/page/privacy-policy). Subscriber: null; date: 24 February 2017

(p.899) Bibliography

(p.899) Bibliography

The Oxford Critical and Cultural History of Modernist Magazines
Oxford University Press

Bibliography references:

Abbas, K. Ahmed, Inqilab: First Great Novel of the Indian Revolution (New Delhi: Jaico Publishing House, 1955).

Adams, Michael, Censorship: The Irish Experience (Dublin: Scepter Books, 1968).

Adorno, Theodor, In Search of Wagner, trans. Rodney Livingstone (London: Verso, 1981).

Aiken, Conrad, Ushant: An Essay (Boston: Little, Brown, 1952).

Alaya, Flavia, William Sharp—’Fiona Macleod’, 1885–1905 (Cambridge, MA: Harvard University Press, 1970).

Alpers, Anthony, The Life of Katherine Mansfield (Oxford: Oxford University Press, 1982).

Altick, Richard, The English Common Reader: A Social History of the Mass Reading Public (Chicago: University of Chicago Press, 1957).

Amor, Anne Clark, William Hunt Hunt: The True Pre-Raphaelite (London: Constable, 1989).

Anderson, Elliott, and Kinzie, Mary (eds), The Little Magazine in America: A Modern Documentary History (Yonkers, NY: Pushcart Press, 1978).

Anderson, Perry, ‘Components of the National Culture’, New Left Review 50 (July–Aug., 1968), 3–58.

Anon., ‘Herbert Furst—An Appreciation’, Apollo, 42 (1945), 301.

———., ‘The New Age’, The Times Literary Supplement (Apr. 25, 1968), 436–7.

———., ‘William Denis Browne’, at: http://www.musicweb-international.com/classrev/2002/May02/WDBrown.htm

———., ‘Rossetti Archive’, at: http://www.rossettiarchive.org/docs/ap4.g415.raw.html

———., The Crayon, at: http://www.rossettiarchive.org/docs/n1.c9.raw.html

———., The New Path, at: http://www.rossettiarchive.org/docs/n1.n55.raw.html

Antliff, Mark, Inventing Bergson: Cultural Politics and the Parisian Avant-Garde (Princeton, NJ: Princeton University Press, 1993).

Appia, Adolphe, The Work of Living Art: A Theory of the Theatre, trans. H. D. Albright (Miami: University of Miami Press, 1969).

———, Texts on Theatre, ed. Richard C. Beacham (London and New York: Routledge, 1993).

Ardis, Ann, Modernism and Cultural Conflict, 1880–1922 (New York/London: Cambridge University Press, 2002).

———, ‘Debating Feminism, Modernism, and Socialism: Beatrice Hastings’ Voices in The New Age’, in Bonnie Kime Scott (ed.), The Gender Complex of Modernism (Urbana: University of Illinois Press, 2007), 310–59. (p.900)

Ardis, Ann, ‘The Dialogics of Modernism(s) in The New Age’, Modernism/Modernity 14:3 (Sept. 2007), 407–34.

——— and Lewis, Leslie W., Women’s Experience of Modernity, 1875–1945 (Baltimore: Johns Hopkins University Press, 2003).

Arnell, Charles John (ed.), An English Lute: A New Anthology of English Verse (London: C. W. Daniel, 1922).

———, Poets of the Wight: An Anthology of Vectensian Poets (Newport, Isle of Wight/Exeter: The County Press/Poetry Publishing Co., 1933).

Arnold, Matthew, Culture and Anarchy, ed. J. Dover Wilson (Cambridge: Cambridge University Press, 1966).

Asher, Kenneth, T. S. Eliot and Ideology (Cambridge: Cambridge University Press, 1995).

Ashbee, C. R., The Manual of the Guild and School of Handicraft (London: Cassell and Co., 1892).

Ashwin, Clive, Studio International, 193:983 (1976), 103–12.

Auden, W. H., The English Auden: Poems, Essays and Dramatic Writings, ed. Edward Mendelson (London: Faber and Faber, 1977).

Ayers, David, ‘Literary Criticism and Cultural Politics’, in Laura Marcus and Peter Nicholls (eds), The Cambridge History of Twentieth Century Literature (Cambridge: Cambridge University Press, 2004), 370–95.

Bakhtin, Mikhail Mikhaˇilovich, The Dialogic Imagination, ed. Michael Holquist (Austin: University of Texas Press, 1981).

Baldick, Chris, The Social Mission of English Criticism 1848–1932 (Oxford: Clarendon Press, 1983).

Ball, Hugo, ‘Kandinsky’, Flight Out of Time: A Dada Diary, ed. John Elderfield, trans. Ann Raimes (Berkeley: University of California Press, 1996), 222–34.

Banfield, Ann, The Phantom Table: Woolf, Fry, Russell and the Epistemology of Modernism (Cambridge: Cambridge University Press, 2000).

Banham, Joanna, MacDonald, Sally, and Porter, Julia, Victorian Interior Design (London: Cassell, 1991).

Baron, Wendy, Perfect Moderns: A History of the Camden Town Group (Aldershot: Ashgate, 2000).

Bax, Clifford, Ideas and People (London: Lovat Dickson, 1936).

Beacham, Richard C., Adolphe Appia: Artist and Visionary of the Modern Theatre (London: Harwood Academic, 1994).

Beardsley, Aubrey, The Letters of Aubrey Beardsley, ed. Henry Maas, John L. Duncan, and W. G. Good (London: Cassell, 1970).

Beedham, John R., Wood Engraving (Ditchling: S. Dominic’s Press, 1920).

Benjamin, Walter, The Arcades Project, trans. H. Eiland, and K. McLauglin (Cambridge, MA: Belknap Press, 1999).

Bennett, Arnold, Letters of Arnold Bennett, ed. James Hepburn (London: Oxford University Press, 1970). (p.901)

Bennett, Joan, ‘ “How it Strikes a Contemporary”: The Impact of I. A. Richards’ Literary Criticism in Cambridge, England’, in Reuben Brower, Helen Vendler, and John Hollander (eds), I. A. Richards: Essays in His Honour (Oxford: Oxford University Press, 1973), 45–59.

Bennett, Scott, ‘Revolutions in Thought: Serial Publication and the Mass Market for Reading’, in Joanne Shattock and Michael Woolf (eds), The Victorian Periodical Press: Samplings and Soundings (Leicester: Leicester University Press, 1982).

Bergonzi, Bernard, Exploding English: Criticism, Theory, Culture (Oxford: Clarendon, 1991).

Bergson, Henri, Time and Free Will (London: Swan Sonnenschein, 1910).

Berry, Paul, and Bishop, Alan (eds), Testament of a Generation: The Journalism of Vera Brittan and Winifred Hotlby (London: Virago, 1985).

Beskin, Geraldine, and Bonner, John (eds), Austin Osman Spare: Artist, Occultist, Sensualist (Bury St Edmunds: Beskin Press, 1999).

Betsky, Seymour, ‘Scrutiny Rescrutinised’, Universities Quarterly, 18:1 (Dec. 1963), 82–91.

Billcliffe, Roger, The Scottish Colourists (London: John Murray, 1989).

Black, Jonathan, et al., Blasting the Future: Vorticism in Britain 1910–1920 (London: Philip Wilson, 2004).

Bleyer, Willard Grosvenor, Main Currents in the History of American Journalism (Boston: Houghton Mifflin, 1927).

Boast, Mary, The Story of Bermondsey (Southwark: Southwark Local Studies Library, 1998).

Boll, Theophilus E. M., ‘Biographical Note’, Stephen Hudson [Sydney Schiff], Richard Myrtle and I, ed. Violet Schiff (Philadelphia, PA: University of Pennsylvania Press, 1962), 15–40.

Booth, Martin, A Magick Life: The Biography of Aleister Crowley (London: Hodder and Stoughton, 2000).

Bornstein, George, Material Modernism: The Politics of the Page (Cambridge: Cambridge University Press, 2001).

Bosterli, Margaret Jones, The Early Community at Bedford Park: ‘Corporate Happiness’ in the First Garden Suburb (London: Routledge and Kegan Paul, 1977).

Bourdieu, Pierre, The Field of Cultural Production: Essays on Art and Literature, ed. Randal Johnson (Cambridge: Polity Press, 1993).

———, The Rules of Art: Genesis and Structure of the Literary Field (Stanford: Stanford University Press, 1995).

Bowker, Gordon, Through the Dark Labyrinth: A Biography of Lawrence Durrell (London: Sinclair-Stevenson, 1996).

Bradbury, Malcolm, The Social Context of Modern English Literature (Oxford: Blackwell, 1971).

———, and McFarlane, James (eds), Modernism, 1890–1930 (Harmondsworth: Penguin, 1976). (p.902)

Bradley, Laurel, ‘The “Englishness” of Pre-Raphaelite Painting: A Critical Review’, in Margaretta Frederick Watson (ed.), Collecting the Pre-Raphaelites: The Anglo-American Enchantment (Aldershot: Ashgate, 1997).

Bradshaw, David, ‘Red Trousers: Lady Chatterley’s Lover and John Hargrave’, Essays in Criticism, 55 (2005), 352–73.

Brake, Laurel, Print in Transition 1850–1910: Studies in Media and Book History (Basingstoke: Palgrave, 2001).

———, Jones, Aled, and Madden, Lionel (eds), Investigating Victorian Journalism (London: Macmillan, 1990).

Brockway, Fenner, Bermondsey Story: The Life of Alfred Salter (London: Allen and Unwin, 1949).

Brooker, Peter, Bohemia in London: The Social Scene of Early Modernism (Basingstoke: Palgrave, 2007).

———, and Thacker, Andrew (eds), The Geographies of Modernism (London: Routledge, 2005).

Bruno, Giuliana, Atlas of Emotion: Journeys in Art, Architecture and Film (London: Verso, 2002).

Bryher, Film Problems of Soviet Russia (Territet, Switzerland: POOL, 1929).

———, The Heart to Artemis: A Writer’s Memoirs (London: Collins, 1963).

Buckle, Richard, In Search of Diaghilev (London: Sidgwick and Jackson, 1955).

Bürger, Peter, Theory of the Avant-Garde, trans. Michael Shaw (Minneapolis: University of Minnesota Press, 1984).

Burne-Jones, Georgiana, Memorials of Edward Burne-Jones: 1868–1898 (New York: Macmillan, 1904).

Burt, Ramsay, ‘Nijinsky: Modernism and Heterodox Representations of Masculinity’, in Alexandra Carter (ed.), The Routledge Dance Studies Reader (London and New York: Routledge, 1998), 250–8.

Butter, Peter, Edwin Muir: Man and Poet (Edinburgh: Oliver and Boyd, 1966).

Caesar, Adrian, Dividing Lines: Poetry, Class and Ideology in the 1930s (Manchester: Manchester University Press, 1991).

Calder, Angus, The People’s War: Britain 1939–45 (London: Jonathan Cape, 1969).

Calinescu, Matei, Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism (Durham, NC: Duke University Press, 1987).

Callen, Anthea, Angel in the Studio: Women in the Arts and Crafts Movement, 1870–1914 (London: Astragal Books, 1979).

Campbell, Colin, William Nicholson: The Graphic Work (London: Barrie and Jenkins, 1992).

Carey, Frances, and Griffiths, Antony, Avant-Garde British Printmaking, 1914–1960 (London: British Museum, 1990).

Carey, John, The Intellectual and the Masses: Pride and Prejudice among the Literary Intelligentsia, 1880–1939 (London: Faber and Faber, 1992). (p.903)

Carroll, Anne E., ‘Protest and Affirmation: Composite Texts in the Crisis’, American Literature 76:1 (Mar. 2004), 89–116.

———, Word, Image and the New Negro: Representation and Identity in the Harlem Renaissance (Bloomington: Indiana University Press, 2005).

Carruthers, Annette, and Johnston, Frank, The Guild of Handicraft 1888–1988, exh. cat. (Cheltenham: Cheltenham Art Gallery and Museums, 1988).

Carswell, John, Lives and Letters: A. R. Orage, Beatrice Hastings, Katherine Mansfield, John Middleton Murray, S. S. Koteliansky: 1906–1957 (London: Faber and Faber, 1978).

Castronovo, Russ, ‘Beauty along the Color Line: Lynching, Aesthetics, and the Crisis’, PMLA 121/5 (Oct. 2006), 1443–59.

Cecil, David, Max: A Biography (London: Constable, 1964).

———, Desmond MacCarthy, The Man and His Writings (London: Constable, 1984).

Cecil, Hugh, and Cecil, Mirabel, Clever Hearts: Desmond and Molly MacCarthy—A Biography (London: Gollancz, 1990).

Chambers, Jessie, D. H. Lawrence: A Personal Record (London: Jonathan Cape, 1935).

Chesterton, G. K., The Man Who Was Thursday: A Nightmare (Harmondsworth: Penguin, 1958).

———, Autobiography (London: Arrow Books, 1959).

Chielens, Edward E. (ed.), American Literary Magazines: The Twentieth Century (Westport, CT: Greenwood Press, 1992).

Chughtai, Ismat, ‘Lihaaf‘, Adab-e Latif, ed. Ahmad Nadeem Qasmi (Lahore: Spring, 1942).

———, ‘The Quilt’, The Quilt and Other Stories, trans. Tahira Naqvi and Syeda S. Hameed (New Delhi: Kali for Women, 1990; London: The Women’s Press, 1991). Available at: http://www.media.opencultures.net/queer/data/indian/Lihaaf_or_The_Quilt.htm

———, ‘Autobiographical Fragments’, trans. from her autobiography (Kaghazi Hai Pairahan (Clad in Paper Garments) (Lahore, 1981); (otherwise untrans.) by M. Asaduddin, Manushi: A Journal about Women and Society, 110 (New Delhi: Jan.–Feb. 1999). Available at: http://www.indiatogether.org/manushi/issue110/ismat.htm.

———, and Coppola, Carlo, ‘Ismat Chughtai: A Talk with One of Urdu’s Most Outspoken Woman Writers’, Mahfil: A Quarterly of South Asian Literature 8:2–3 (East Lansing: Asian Studies Centre, Michigan State University, Summer–Fall 1972), 169–88. Available at: http://www.columbia.edu/itc/mealac/pritchett/00urdu/ismat/txt_ismat_interview_mahfil1972.htm

Churchill, Suzanne W., The Little Magazine ‘Others’ and the Renovation of Modern American Poetry (Aldershot and Burlington: Ashgate, 2006).

———, and McKible, Adam (eds), Little Magazines and Modernism (Aldershot: Ashgate, 2007).

Clark, David R., with Clark, Rosalind, W. B. Yeats and the Theatre of Desolate Reality (Washington, DC: Catholic University of America Press, 1993). (p.904)

Clark, Jon, et al. (eds), Culture and Crisis in Britain in the Thirties (London: Lawrence and Wishart, 1979).

Clarke, Bruce, Dora Marsden and Early Modernism: Gender, Individualism, Science (Ann Arbor: University of Michigan Press, 1996).

Clyde, Tom, Irish Literary Magazines: An Outline History and Descriptive Bibliography (Dublin: Irish Academic Press, 2003).

Codell, Julie F., ‘The Century Guild Hobby Horse’, Victorian Periodicals Review, Toronto, 16 (1983), 43–51.

Collier, Patrick, Modernism on Fleet Street (Aldershot and Burlington: Ashgate Publishing, 2006).

Collini, Stefan, ‘On Highest Authority: The Literary Critic and Other Aviators in Early Twentieth-Century Britain’, in Dorothy Ross (ed.), Modernist Impulses in the Human Sciences (London: John Hopkins University Press, 1994), 152–70.

———, ‘The Critic as [Anti-] Journalist: Leavis after Scrutiny’, in Jeremy Treglown and Bridget Bennett (eds), Grub Street and the Ivory Tower: Literary Journalism and Literary Scholarship from Fielding to the Internet (Oxford: Oxford University Press, 1998), 151–76.

———, Absent Minds: Intellectuals in Britain (Oxford: Oxford University Press, 2006).

Collins, Judith, The Omega Workshops (Chicago: Chicago University Press, 1984).

———, ‘Omega and Hogarth Woodcuts’, in Jeremy Greenwood (ed.), Omega Cuts (Woodbridge: Wood Lea Press, 1998), 9–18.

Connolly, Cyril, Enemies of Promise (New York: Persea, 1983).

———, Golden Horizon (London: Weidenfeld and Nicholson, 1953).

———, The Modern Movement (London: A. Deutsch/H. Hamilton, 1965).

———, The Evening Colonnade (London: David Bruce and Watson, 1973).

Contreras, Jorge L., ‘Frank Stone and the Pre-Raphaelite Brotherhood’. Available at: http://www.victorianweb.org/art/illustration/fstone/contreras1.html

Conquest, Robert (ed.), New Lines: An Anthology (London: Macmillan, 1956).

Conway, Moncure, Travels in South Kensington (London: Trubner and Co., 1882).

Cooper, Jeff, ‘New Numbers: The Story of a Periodical’, Dymock Poets and Friends: Journal of the Friends of the Dymock Poets, 6 (2007), 56–66.

Coppard, A. E., It’s Me, O Lord! (London: Methuen, 1957).

Cork, Richard, Vorticism and Abstract Art in the First Machine Age (London: Gordon Fraser, 1976).

———, Art beyond the Gallery in Early 20th Century England (New Haven: Yale University Press, 1985).

———, A Bitter Truth: Avant-Garde Art and the Great War (New Haven/London: Yale University Press, 1994).

———, Coughlan, Patricia, and Davis, Alex (ed.), Modernism and Ireland: The Poetry of the 1930s (Cork: Cork University Press, 1995).

Cowley, Malcolm, Exile’s Return: A Literary Odyssey of the 1920s (Harmondsworth: Penguin, 1951).

Craig, Edward, Gordon Craig: The Story of his Life (London: Gollancz, 1968). (p.905)

Craig, Edward Gordon, The Gordon Craig Book of Penny Toys (Hackbridge, Surrey, 1899).

Craig, Edward Gordon, Woodcuts and Some Words (Hackbridge, Surrey, 1899).

———, Henry Irving, Ellen Terry: A Book of Portraits (London: Heinemann, 1899).

———, Bookplates (London: Heinemann, 1905).

———, The Art of the Theatre (London: Heinemann, 1905).

———, On the Art of the Theatre (London: Small, Maynard, 1911).

———, Index to The Story of my Days (London: Hulton, 1957).

Crane, Hart, Letters of Hart Crane, 1916–1932, ed. Brom Weber (Berkeley: University of California Press, 1965).

Crane, Walter, Of the Decorative Illustration of Books Old and New (London and New York: G. Bell, 1896).

Crawford, Alan (ed.), By Hammer and Hand: The Arts and Crafts Movement in Birmingham (Birmingham: Birmingham Museums and Art Gallery, 1984).

Croft, Andy, ‘Authors Take Sides: Writers and the Communist Party, 1920–56’, in Geoff Andrews et al. (eds), Opening the Books: Essays in the Social and Cultural History of British Communism (London: Pluto, 1995), 97.

———, Comrade Heart: A Life of Randall Swingler (Manchester: Manchester University Press, 2003).

Crowley, Aleister, and Spare, Austin Osman, ‘Now for Reality’: The Focus of Life: Poems by Alesiter Crowley, Text Written and Illustrated by Austin Osman Spare, with an introduction by Frederic Carter and an essay by Keith Richmond (Thame: Mandrake, 1990).

Crozier, Andrew, and Longville, Tim (eds), A Various Art (Manchester: Carcanet, 1987).

Cumming, Elizabeth (ed.), Colour, Rhythm and Dance: Paintings and Drawings by J. D. Fergusson and His Circle in Paris (Edinburgh: Scottish Arts Council Catalogue, 11, 1985).

———, and Kaplan, Wendy, The Arts and Crafts Movement (London: Thames and Hudson, 1991).

Cunningham, Valentine, British Writers of the Thirties (Oxford: Oxford University Press, 1988).

D’arch Smith, Timothy, ‘Introduction’, The Chameleon (London: 1890s Society, 1978).

Dasenbrock, Reed Way, The Literary Vorticism of Ezra Pound and Wyndham Lewis: Towards the Condition of Painting (Baltimore: Johns Hopkins University Press, 1985).

Davies, Elwyn, ‘The Magazine That Never Was’, The Anglo-Welsh Review, 81 (1985), 97–106.

Davis, Alex, ‘The Irish Modernists and their Legacy’, in Matthew Campbell (ed.), The Cambridge Companion to Contemporary Irish Poetry (Cambridge: Cambridge University Press, 2003), 76–93.

Deane, Patrick (ed.), History in Our Hands: A Critical Anthology of Writings on Literature, Culture and Politics from the 1930s (London: Leicester University Press, 1998).

Delaney, J. G. Paul, Charles Ricketts (Oxford: Clarendon Press, 1990).

Delap, Lucy, ‘The Freewoman, Periodical Communities, and the Feminist Reading Public’, Princeton University Library Chronicle, 61 (2000), 233–76. (p.906)

Delap, Lucy, ‘Feminist and Anti-feminist Encounters in Edwardian Britain’, Institute of Historical Research, 78/201 (Aug. 2005), 377–99.

Dickins, Anthony, ‘Tambimuttu and Poetry London’, London Magazine, 5:9 (Dec. 1965), 56.

Dickson, Rachel, and MacDougall, Sarah, ‘The Whitechapel Boys’, Jewish Quarterly, 195 (Autumn 2004). Available at: http://www.jewishquarterly.org/article.asp?articleid=21

Diepeveen, Leonard, The Difficulties of Modernism (New York: Routledge, 2003).

Dodds, E. R., Missing Persons: An Autobiography (Oxford: Clarendon Press, 1977).

Dollimore, Jonathan, and Sinfield, Alan (eds), Political Shakespeare: New Essays in Cultural Materialism (Manchester: Manchester University Press, 1985).

Donald, James, Friedberg, Anne, and Marcus, Laura (eds), Close Up 1927–1933: Cinema and Modernism (London: Cassell, 1998).

Donoghue, Denis, ‘Criteria Omnia’, The Cambridge Review (9 Feb. 1968), 257–8.

Dowling, Linda, ‘Letterpress and Picture in the Literary Periodicals of the 1890s’, Yearbook of English Studies, 16 (1986), 117–31.

Dowson, Jane, ‘The Listener and the Myth of the Middlebrow’, Working Papers on the Web, 6 June 2003. Available at: http://www.extra.shu.ac.uk/wpw/

Doyle, Brian, English and Englishness (London: Routledge, 1989).

Drotner, Kirsten, English Children and Their Magazines, 1751–1945 (New Haven: Yale University Press, 1988).

Duncan, Isadora, My Life (New York: Liveright Publishing Corporation, 1996).

———, ‘Your Isadora’: The Love Story of Isadora Duncan and Gordon Craig, ed. Francis Steegmuller (London: Macmillan, 1974).

DuPlessis, Rachel Blau, The Pink Guitar: Writing as Feminist Practice (New York: Routledge, 1990).

Eagleton, Terry, Criticism and Ideology: A Study in Marxist Literary Theory (London: New Left Books, 1978).

———, Literary Theory: An Introduction (Oxford: Blackwell, 1983).

Earle, David, Re-covering Modernism: Pulp Modern and the Prejudice of Form (Aldershot and Burlington: Ashgate, 2009).

Edwards, Paul, ‘Wyndham Lewis versus James Joyce: Shaun versus Shem?’, in Sarah Briggs, Paul Hyland, and Neil Sammells (eds), Reviewing Ireland: Essays and Interviews from ‘Irish Studies Review’ (Bath: Sulis Press, 1998), 164–73.

———, Wyndham Lewis: Painter and Writer (New Haven: Yale University Press, 2000).

———, (ed.), Blast: Vorticism, 1914–1918 (Aldershot: Ashgate, 2000).

Edwards, Ruth Dudley, Victor Gollancz: A Biography (London: Gollancz, 1987).

Eksteins, Modris, Rites of Spring: The Great War and the Birth of the Modern Age (New York: Doubleday, 1989).

Eley, Geoff, ‘Nations, Publics, and Political Cultures: Placing Habermas in the Nineteenth Century’, in Craig Calhoun (ed.), Habermas and the Public Sphere (Cambridge and London: MIT Press, 1997), 289–339. (p.907)

Eliot, George, Essays of George Eliot, ed. Thomas Pinney (London: Routledge and Kegan Paul, 1963).

Eliot, Simon, Some Patterns and Trends in British Publishing, 1800–1919 (London: Bibliographical Society, 1993).

———, ‘The Business of Victorian Publishing’, in Deirdre David (ed.), The Cambridge Companion to the Victorian Novel (Cambridge: Cambridge University Press, 2001), 37–60.

Eliot, T. S., The Sacred Wood (London: Faber and Faber, 1928).

———, The Idea of a Christian Society (London: Faber and Faber, 1939).

———, ‘A Message’, The London Magazine, 1:1 (Feb. 1954), 16.

———, ‘Brief über Ernst Robert Curtius’, Freundesgabe für Ernst Robert Curtius (Bern: Francke, 1956).

———, Collected Poems, 1909–1962 (London: Faber and Faber, 1974).

———, The Letters of T. S. Eliot, vol. i: 1898–1922, ed. Valerie Eliot (London: Faber and Faber, 1988).

Ellmann, Maud, ‘Writing Like a Rat’, Critical Quarterly, 46:4 (Winter, 2004), 59–76.

Ellmann, Richard, Golden Codgers: Biographical Speculations (New York: Oxford University Press, 1973).

Enright, D. J., ‘The Significance of Poetry London’, The Critic, 1 (Spring 1947), 3–10.

Evans, Stuart, ‘The Century Guild Connection’, in John Archer (ed.), Art and Architecture in Victorian Manchester (Manchester: Manchester University Press, 1985), 250–68.

Faxon, F. W., ‘Ephemeral Bibelots’, Bulletin of Bibliography, 3 (1903–4).

Fehlbaum, Valerie, Ella Hepworth Dixon: The Story of a Modern Woman (Aldershot: Ashgate, 2005).

Fergusson, John Duncan, Modern Scottish Painting (Glasgow: William MacLellan, 1943).

Fletcher, Christopher, ‘Found: the Secrets of the Little Prince’, Independent on Sunday (6 Mar. 2005). Available at: http://arts.independent.co.uk/books/features/article4960.ece.

Fletcher, Ian, Romantic Mythologies (London: Routledge and Kegan Paul, 1967).

———, (ed.), Decadence and the 1890s (London: Edward Arnold, 1979).

———, Rediscovering Herbert Horne: Poet, Architect, Typographer, Art Historian (Greensboro, NC: ELT Press, 1990).

Fletcher, John Gould, Life Is My Song (New York: Farrar and Rinehart, 1937).

Foot, Paul, The Vote: How It Was Won and How It Was Undermined (London: Penguin, 2006).

Ford, Ford Madox, Return to Yesterday (London: Gollancz, 1931).

———, The Bodley Head Ford Madox Ford, vol. 1 (London: The Bodley Head, 1962).

———, Letters of Ford Madox Ford, ed. Richard M. Ludwig (Princeton, NJ: Princeton University Press, 1965).

———, Critical Essays, ed. Max Saunders and Richard Stang (Manchester: Carcanet, 2002).

Forman, H. B., The Books of William Morris described with some account of his doings in literature and in the allied crafts (London: Frank Hollings, 1897). (p.908)

Foster, Hal, Krauss, Rosalind, Bois, Yve-Alain, and Buchloh, Benjamin, Art since 1900: Modernism, Antimodernism, Postmodernism (New York: Thames and Hudson, 2005).

Foster, John Wilson, Colonial Consequences: Essays in Irish Literature and Culture (Dublin: Lilliput Press, 1991).

Foster, R. F., Paddy and Mr Punch: Connections in Irish and English Literary History (London: Allen Lane, 1993).

———, W. B. Yeats: A Life, vol. i: The Apprentice Mage, 1865–1914 (Oxford: Oxford University Press, 1997).

Fox, Pamela, Class Fictions: Shame and Resistance in the British Working Class Novel, 1890–1945 (Durham, NC: Duke University Press, 1994).

Fraser, G. S., Vision and Rhetoric (London: Faber and Faber, 1957).

Fraser, Nancy, ‘Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy’, in Craig Calhoun (ed.), Habermas and the Public Sphere (Cambridge and London: MIT Press, 1997), 109–42.

Frazier, Adrian, Behind the Scenes: Yeats, Horniman, and the Struggle for the Abbey Theatre (Berkeley: University of California Press, 1990).

Friedman, Susan Stanford: ‘Definitional Excursions: The Meanings of Modern/Modernity/Modernism’, Modernism/Modernity, 8:3 (Sept. 2001), 493–513.

——— ‘Periodizing Modernism: Postcolonial Modernities and the Space/Time Borders of Modernist Studies’, Modernism/Modernity, 13:3 (Sept. 2006), 425–43.

Friedmann, Elizabeth, A Mannered Grace: The Life of Laura (Riding) Jackson (New York: Persea Books, 2005).

Frost, Peter, ‘The Century Guild Hobby Horse and its Founders’, The Book Collector, London (Autumn 1978), 348–60.

Furst, Herbert, Chardin and His Times (London: Gowans and Gray, 1907).

———, Songs of London: A Medley Grave and Gay (London: Gowans and Gray, 1908).

———, Dürer (London: T. C. and E. Jack, 1910).

———, Songs of Town and Country (London: Gowans and Gray, 1911).

———, Chardin (London: Methuen, 1911).

Fussell, Paul, The Great War and Modern Memory (London: Oxford University Press, 1975).

Gagnier, Regenia, ‘Production, Reproduction and Pleasure in Victorian Aesthetics and Economics’, in Richard Dellamora (ed.), Victorian Sexual Dissidence (Chicago and London: University of Chicago Press, 1999), 127–45.

Galassi, Jonathan (ed.), Understand the Weapon, Understand the Wound: Selected Writings of John Cornford (Manchester: Carcarnet, 1976).

Gallup, Donald, ‘T. S. Eliot and Ezra Pound: Collaborators in Letters’, Atlantic Monthly, 225:1 (Jan. 1970), 48–62.

Gans, Herbert, Popular Culture and High Culture (New York: Basic Books, 1974).

Garbaty, Thomas Jay, ‘The French Coterie of the Savoy 1896’, PMLA, 75/5 (Dec. 1960), 609–15. (p.909)

Garrity, Jane, ‘Selling Culture to the “Civilized”: Bloomsbury, British Vogue and the Marketing of National Identity,’ Modernism/Modernity, 6/2 (Apr. 1999), 29–58.

Garvey, Ellen Gruber, The Adman in the Parlor: Magazines and the Gendering of Consumer Culture, 1880s to 1910s (New York/Oxford: Oxford University Press, 1996).

Gauthier, Christophe, Le passion du cinéma: cinéphiles, ciné-clubs et salles spécialisées à Paris de 1920 à 1929 (Paris: Association Française de Recherche sur L’Histoire du Cinéma, 1999).

Girouard, Mark, Sweetness and Light: The ‘Queen Anne’ Movement, 1860–1900 (Oxford: Clarendon Press, 1977).

Gissing, George, New Grub Street, ed. Bernard Bergonzi (Harmondsworth: Penguin, 1985).

Glew, Adrian, ‘ “Blue spiritual sounds”: Kandinsky and the Sadlers, 1911–1916’, Burlington Magazine, 139 (1997), 600–15.

Goldie, David, A Critical Difference: T. S. Eliot and John Middleton Murry in English Literary Criticism (Oxford: Clarendon Press, 1998).

Golding, Alan C., ‘The Dial, The Little Review, and the Dialogics of Modernism’, American Periodicals, 15/1 (2005), 42–55.

Goldring, Douglas, South Lodge: Reminiscences of Violet Hunt, Ford Madox Ford and the English Review Circle (London: Constable, 1943).

———, The Nineteen Twenties: A General Survey and Some Personal Memories (London: Nicholson and Watson, 1945).

———, Trained for Genius: The Life and Writings of Ford Madox Ford (New York: E. P. Dutton, 1949).

Gorky, Maxim, Soviet Writers Congress 1934: The Debate of Socialist Realism and Modernism (London: Lawrence and Wishart, 1977).

Görtschacher, Wolfgang, Little Magazine Profiles: The Little Magazines in Great Britain, 1939–1993 (Salzburg: University of Salzburg Press, 1993).

———, Contemporary Views on the Little Magazine Scene (Salzburg: University of Salzburg Press, 2000).

Graff, Gerald, Professing Literature: An Institutional History (Chicago: University of Chicago Press, 1987).

Graham, Desmond, Keith Douglas 1920–1944: A Biography (Oxford: Oxford University Press, 1974).

Graham, Walter James, English Literary Periodicals (New York: T. Nelson and Sons, 1930).

Grant, Joy, Harold Monro and the Poetry Bookshop (London: Routledge, 1967).

Grant, Kenneth, The Magical Revival (London: Muller, 1972).

———, Images and Oracles of Austin Osman Spare (London: Muller, 1975).

———, and Grant, Steffi, Zos Speaks!: Encounters with Austin Osman Spare (London: Fulgar, 1998).

Graves, Richard Perceval, Richard Hughes: A Biography (London: André Deutsch, 1994).

Graves, Robert, Goodbye to All That (Harmondsworth: Penguin, 1960). (p.910)

Graves, Robert, In Broken Images: Selected Letters of Robert Graves 1914–1946, ed. Paul O’Prey (London: Hutchinson, 1982).

Griest, Guinevere L., Mudie’s Circulating Library and the Victorian Novel (Bloomington, IN: Indiana University Press, 1970).

Grigson, Geoffrey, New Verse: An Anthology Compiled by Geoffrey Grigson (London: Faber and Faber, 1942).

———, ‘Recollections of Dylan Thomas’, London Magazine (Sept. 1957), 40.

Grindea, Miron, ‘In Search of Our Proust’, Adam, 260 (1957), 6–52.

Grover, Mary, Cultural Embarrassment and Middlebrow Authorship: The Ordeal of Warwick Deeping (New York: Associated University Presses, 2008).

Gruetzner Robins, Anna, Modern Art in Britain, 1910–1914 (London: Merrell Holberton/Barbican, 1997).

Guidry, Lorelei, The Mask: Introduction and Index (New York: Benjamin Blom, 1968).

Guillory, John, Cultural Capital (Chicago: University of Chicago Press, 1995).

Habermas, Jürgen, The Structural Transformation of the Public Sphere: An Inquiry into a Category of Bourgeois Society, trans. Thomas Burger with Fredrick Lawrence (Cambridge: Polity Press, 1994).

Haffenden, John, William Empson, vol. i: Among the Mandarins (Oxford: Oxford University Press, 2005).

Hamilton, Ian, The Little Magazines: A Study of Six Editors (London: Weidenfeld and Nicolson, 1976).

Hamilton, Sharon, ‘The First New Yorker ? The Smart Set Magazine, 1900–1924’, The Serials Librarian, 37/2 (1999), 89–104.

Hamilton, Walter, The Aesthetic Movement in England (London: Reeves and Turner, 1882).

Hammond, Mary, Reading, Publishing, and the Formation of Literary Taste in England, 1880–1914 (Ashgate: Aldershot, 2006).

Hammond, Paul (ed.), The Shadow and its Shadow: Surrealist Writings on the Cinema (San Francisco: City Lights Books, 2000).

Hamnett, Nina, Laughing Torso (London: Virago, 1984).

Hampton, Mark, Visions of the Press in Britain, 1850–1950 (Urbana and Chicago: University of Illinois Press, 2004).

Hankins, Leslie, ‘Iris Barry, Writer and Cinéaste, Forming Film Culture in London 1924–1926: The Adelphi, The Spectator, the Film Society and the British Vogue’, Modernism/Modernity, 11/3 (Sept. 2004), 488–515.

Harding, Jason, ‘Experiment in Cambridge: “A Manifesto of Young England” ‘, Cambridge Quarterly, 27:4 (1998), 287–309.

———, ‘The Criterion’: Cultural Politics and Periodical Networks in Interwar Britain (Oxford: Oxford University Press, 2002).

Harmon, Maurice, Sean O’Faolain (London: Constable, 1994). (p.911)

Harris, John, ‘Not a Trysorfa Fach’: Keidrych Rhys and the Launching of Wales’, The New Welsh Review, 3:3 (Winter 1990), 28–33.

Harrison, Charles, English Art and Modernism, 1900–1939 (London: Allen Lane, 1981).

Hassall, Christopher, Edward Marsh, Patron of the Arts: A Biography (London: Longmans, 1959).

Hastings, Selina, Evelyn Waugh: A Biography (London: Sinclair-Stevenson, 1994).

Hatcher, John, Laurence Binyon: Poet, Scholar of East and West (Oxford: Clarendon Press, 1995).

Hayman, Ronald, Leavis (London: Heinemann, 1976).

Head, Philip, Engaging the Enemy: The Gentle Art of Contradiction in the Work of Wyndham Lewis (Borough Green, Kent: Green Knight, 2001).

Heard, Andrew, William Roberts 1895–1980 (Newcastle: Hatton Gallery, 2004).

Heath, Stephen, ‘Cambridge English’, in Richard Mason (ed.), Cambridge Minds (Cambridge: Cambridge University Press, 1994), 20–34.

Hedsel, Mark (and Ovason, David), The Zelator: A Modern Initiate Explores the Ancient Mysteries (London: Century, 1998).

Henderson, Philip, ‘The Spoken World’, The Listener, 60 (17 July 1958), 103.

———, William Morris: His Life, Work and Friends (Harmondsworth: Penguin, 1967).

Hendry, J. F., and Treece, Henry (eds), The White Horseman: Prose and Verse of the New Apocalypse (London: Routledge, 1941).

———, et al., ‘The Apocalyptic Manifesto’, PN Review, 154 (Nov.–Dec. 2003), 23–5.

Heppenstall, Rayner, Four Absentees (London: Barrie and Rockliff, 1960).

Heß, Helmut, Der Kunstverlag Franz Hanfstaengl und die frühe fotografische Kunstreproduktion: das Kunstwerk und sein Abbild (München: Akademischer Verlag, 1999).

Hewison, Robert, Under Siege: Literary Life in London 1939–1945 (London: Weidenfeld and Nicolson, 1977).

Hibberd, Dominic, Harold Monro: Poet of the New Age (Basingstoke: Palgrave, 2001).

Higgins, F. R., The Dark Breed: A Book of Poems (London: Macmillan, 1927).

Hilliard, Chris, To Exercise Our Talents: The Democratization of Writing in Britain (Cambridge, MA: Harvard University Press, 2006).

———, ‘Producers by Hand and by Brain: Working-Class Writers and Left-Wing publishers in 1930s Britain’, Journal of Modern History, 78 (Mar. 2006), 37–64.

Hobday, Charles, Edgell Rickword: A Poet at War (Manchester: Carcanet, 1989).

———, ‘Isaac Rosenberg, Revolutionary Poet’, The London Magazine, 40:3/4 ( June/July, 2000), 42–56.

Hobsbawm, Eric, The Age of Extremes: The Short Twentieth Century (London: Michael Joseph, 1994).

———, Interesting Times: A Twentieth-Century Life (London: Allen Lane, 2002).

Hoffman, Frederick J., Allen, Charles, and Ulrich, Carolyn F., The Little Magazine: A History and a Bibliography (Princeton: Princeton University Press, 1947). (p.912)

Hollis, Patricia, The Pauper Press: A Study in Working-Class Radicalism of the 1830s (London: Oxford University Press, 1970).

Holloway, John, The Charted Mirror (London: Routledge, 1960).

Holme, Bryan, ‘The Studio’: A Bibliography—The First Fifty Years, 1893–1943 (London: Simms and Reed, 1978).

Holmes, Charles, Self and Partners (Mostly Self) (New York: Macmillan, 1936).

Holroyd, Michael, Lytton Strachey: The New Biography (London: Chatto and Windus, 1994).

Hopkin, Deian, ‘The Socialist Press in Britain, 1890–1910’, in George Boyce, James Curran, and Pauline Wingate (eds), Newspaper History from the Seventeenth Century to the Present Day (Beverly Hills: Sage, 1978), 294–306.

Horovitz, Michael (ed.), Children of Albion: Poetry of the ‘Underground’ in Britain (Harmondsworth: Penguin, 1969).

Hosman, Robert Stahr (ed.), The Germ: A Pre-Raphaelite Little Magazine (Coral Gables, FL: University of Miami Press, 1970).

Howarth, Herbert, Notes on Some Figures behind T. S. Eliot (London: Chatto and Windus, 1965).

Howarth, Patrick, Squire: ‘Most Generous of Men’ (London: Hutchinson, 1963).

Howarth, Peter, British Poetry in the Age of Modernism (Cambridge: Cambridge University Press, 2005).

Howarth, T. E. B., Cambridge between Two Wars (London: Collins, 1978).

Hughes, Linda K., ‘Women Poets and Contested Spaces in The Yellow Book’, SEL, 44:4 (Autumn, 2004), 849–72.

Hughes, Ted, Gaudete (London: Faber and Faber, 1977).

Humble, Nichola, The Feminine Middlebrow Novel, 1920s to 1950s: Class, Domesticity, and Bohemanism (Oxford: Clarendon Press, 2001).

Humphreys, Richard, Futurism (London: Tate Gallery, 2003).

Hunt, Violet, I Have This to Say: The Story of My Flurried Years (New York: Boni and Liveright, 1926).

Hunt, William Holman, Pre-Raphaelitism and the Pre-Raphaelite Brotherhood (New York: AMS Press, 1967).

Hutcheon, Linda, Formalism and the Freudian Aesthetic (Cambridge: Cambridge University Press, 1984).

Huxley, Aldous, Letters of Aldous Huxley, ed. Grover Smith (London: Chatto and Windus, 1969).

Huyssen, Andreas, After the Great Divide: Modernism, Mass Culture, Postmodernism (Bloomington, IN: Indiana University Press, 1986).

Hyams, Edward, The New Statesman (London: Longmans, 1963).

Hynes, Samuel, The Auden Generation: Literature and Politics in England in the 1930s (London: Pimlico, 1976).

Image, Selwyn, Selwyn Image Letters, ed. A. H. Mackmurdo (London: Grant Richards, 1932). (p.913)

Inverarity, R. Bruce, Manual of Puppetry (Portland, OR: Binfords Mort, 1936).

Jackson, Kevin, Humphrey Jennings (London: Picador, 2004).

Jacques-Dalcroze, Émile, The Eurythmics of Jaques-Dalcroze, intro. M. E. Sadler (London: Constable, 1917).

Jaffe, Aaron, Modernism and the Culture of Celebrity (Cambridge: Cambridge University Press, 2005).

Jeffares, A. Norman (ed.), W. B. Yeats: The Critical Heritage (London: Routledge and Kegan Paul, 1977).

Jennings, Humphrey, Pandaemonium: The Coming of the Machine as Seen by Contemporary Observers, ed. Mary-Lou Jennings and Charles Madge (London: André Deutsch, 1985).

Jepson, Edgar, Memories of an Edwardian and Neo-Georgian (London: Richards, 1937).

Jones, Glyn, The Dragon has Two Tongues (London: Dent, 1968).

Joost, Nicholas, Scofield Thayer and The Dial: An Illustrated History (Carbondale, IL: Southern Illinois University Press, 1964).

Julius, Anthony, T. S. Eliot, Anti-Semitism and Literary Form (London: Thames and Hudson, 2003).

Kandinsky, Wassily, ‘Cologne Lecture’ (1914), in Complete Writings on Art, ed. Kenneth C. Lindsay and Peter Vergo (Boston: Da Capo Press, 1994), 392–400.

———, Concerning the Spiritual in Art (London: Tate Publishing, 2006).

———, The Path to Abstraction, eds. Hartwig Fischer and Sean Rainbird (London: Tate Publishing, 2006).

Kearney, Richard, Transitions: Narratives in Modern Irish Culture (Manchester: Manchester University Press, 1988).

Keating, Peter, The Haunted Study: A Social History of the English Novel 1875–1914 (London: Secker and Warburg, 1989).

Keery, James, ‘The Burning Baby and the Bathwater’, PN Review, 159 (Sept.–Oct. 2004), 45.

Kemp, Harry, The Left Heresy In Literature and Life, by Harry Kemp, Laura Riding, and Others (London: Methuen, 1939).

Kenner, Hugh, Wyndham Lewis (New York: New Directions, 1954).

Kermode, Frank, The Romantic Image (London: Routledge, 2001).

Kershaw, Alister, and Temple, Frederic-Jacques, Richard Aldington: An Intimate Portrait (Carbondale, IL: Southern Illinois University Press, 1965).

Kessler, Harry, The Diaries of a Cosmopolitan: Count Harry Kessler, 1918–1937, trans. Charles Kessler (London: Weindenfeld and Nicolson, 1971).

Kinch, M. B. et al. (eds), F. R. Leavis and Q. D. Leavis: An Annotated Bibliography (New York: Garland, 1989).

King, Andrew, The London Journal 1845–83: Periodicals, Production and Gender (Aldershot: Ashgate, 2004).

———, and Plunkett, John (eds), Victorian Print Media (Oxford and New York: Oxford University Press, 2005). (p.914)

King, James, The Last Modern: A Life of Herbert Read (London: Weidenfeld and Nicolson, 1990).

Kirby, Michael, Futurist Performance (New York: PAJ Publications, 1986).

Klein, Scott, The Fictions of James Joyce and Wyndham Lewis: Monsters of Nature and Design (Cambridge: Cambridge University Press, 1994).

Knights, L. C., ‘L. C. Knights’, Cambridge Quarterly, ‘F. R. Leavis Special Issue: Reminiscences and Revaluations’, 25:4 (1996), 357–60.

Knowles, Sebastian D. G., A Purgatorial Flame: Seven British Writers in the Second World War (Philadelphia: University of Pennsylvania Press, 1990).

Kolocotroni, Vassiliki, Goldman, Jane, and Taxidou, Olga (eds), Modernism: An Anthology of Sources and Documents (Edinburgh: Edinburgh University Press, 1998).

Koss, Stephen, The Rise and Fall of the Political Press in Britain, 2 vols (London: Hamish Hamilton, 1981–4).

Laqueur, Thomas, ‘Why the Margins Matter: Occultism and the Making of Modernity’, Modern Intellectual History, 3:1 (Apr. 2006), 111–35.

Latham, Sean, ‘Am I a Snob’: Modernism and the Novel (Ithaca: Cornell University Press, 2003).

———, ‘New Age Scholarship: The Work of Criticism in the Age of Digital Reproduction’, New Literary History, 35:3 (Summer 2004), 412–13.

———, ‘Magazine Modernism,’ unpublished manuscript.

———, and Scholes, Robert, ‘The Rise of Periodical Studies’, PMLA, 121:2 (2006), 517–31.

Lavine, Lawrence, Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America (Cambridge, MA.: Harvard University Press, 1988).

Law, Graham, Serializing Fiction in the Victorian Press (Basingstoke: Macmillan, 2000).

Lawrence, D. H., The Letters of D. H. Lawrence, vol. ii, ed. G. J. Zytaruk, and J. T. Boulton (Cambridge: Cambridge University Press, 1981).

———, The Letters of D. H. Lawrence, vol. iv, ed. Warren Roberts, J. T. Boulton, and Elizabeth Mansfield (Cambridge: Cambridge University Press, 1987).

———, Reflections on the Death of a Porcupine and other Essays, ed. Michael Herbert (Cambridge: Cambridge University Press, 1988).

———, The Letters of D. H. Lawrence, vol. v, ed. J. T. Boulton and Lindeth Vasey (Cambridge: Cambridge University Press, 1989).

Lea, F. A., The Life of John Middleton Murry (London: Methuen, 1959).

Leavis, F. R., Mass Civilization and Minority Culture (Cambridge: Gordon Fraser, 1930).

———, New Bearings in English Poetry (London: Chatto and Windus, 1932).

———, Revaluation: Tradition and Development in English Poetry (London: Chatto and Windus, 1936).

———, Education and the University: A Sketch for an English School (London: Chatto and Windus, 1948).

———, D. H. Lawrence: Novelist (London: Chatto and Windus, 1954).

———, Anna Karenina and Other Essays (London: Chatto and Windus, 1967). (p.915)

Leavis, F. R., A Selection from ‘Scrutiny’ (Cambridge: Cambridge University Press, 1968).

———, English Literature in Our Time and the University (London: Chatto and Windus, 1969).

———, and Thompson, Denys, Culture and Environment: The Training of Critical Awareness (London: Chatto and Windus, 1933).

———, (ed.), Towards Standards of Criticism: Selections from The Calendar of Modern Letters (London: Wishart and Co., 1933).

———, (ed.), Determinations: Critical Essays (London: Chatto and Windus, 1934).

Leavis, Q. D., Fiction and the Reading Public (London: Chatto and Windus, 1932).

Ledger, Sally, ‘Wilde Women and The Yellow Book: The Sexual Politics of Aestheticism and Decadence’, ELT, 50:1 (2007), 5–26.

Lee, Alan J., The Origins of the Popular Press in England 1855–1914 (London: Croom Helm; Totowa, NJ: Rowan and Littlefield, 1978).

Lee, Hermione, Virginia Woolf (London: Vintage, 1996).

Leftwich, Joseph, ‘Autobiographical Note’, Joseph Leftwich at Eighty-Five: A Collective Evaluation, ed. S. J. Goldsmith (London: Federation of Jewish Relief Organisations, Association of Jewish Writers and Journalists, The World Yiddish Committee, 1978), 4–10.

Lehmann, John (ed.), The Whispering Gallery (London: Longmans, Green, 1957).

———, The Craft of Letters in England: A Symposium (London: Houghton Mifflin, 1957).

———, I Am My Brother (London: Longmans, Green, 1960).

———, In My Own Time: Memoirs of a Literary Life (Boston: Little, Brown, 1969).

———, Thrown to the Woolfs (London: Weidenfeld and Nicolson, 1978).

———, French Stories from New Writing (London: John Lehmann, 1947).

———, (ed.), English Stories from New Writing, (London: John Lehmann Ltd, 1951).

———, (ed.), Best Stories from New Writing (New York: Harcourt Brace, 1951).

———, (ed.), The Pleasures of New Writing: An Anthology of Poems, Stories and Other Prose Pieces from the Pages of New Writing (London: John Lehmann, 1952).

———, (ed.), Celebration: Anthology of New Zealand Writing from The Penguin New Writing Series (London: Penguin Books, 1985).

———, and Fuller, Roy (eds), Poems from New Writing 1936–1946 (London: John Lehmann, 1946).

———, and ——— (eds), The Penguin New Writing 1940–1950: An Anthology (London: Penguin Books, 1985).

Lehmann, Rosamond, Dusty Answer (London: Chatto and Windus, 1927).

Lejeune, Anthony (ed.), Time and Tide Anthology (London: Andre Deutsch, 1956).

Lemahieu, D. L., A Culture for Democracy: Mass Communication and the Cultivated Mind in Britain between the Wars (Oxford: Clarendon Press, 1988).

Levenson, Michael (ed.), The Cambridge Companion to Modernism (Cambridge: Cambridge University Press, 1999).

Lewis, John, The Left Book Club: An Historical Record (London: Gollancz, 1970).

Lewis, Wyndham, The Art of Being Ruled (London: Chatto and Windus, 1926). (p.916)

Lewis, Wyndham, The Lion and the Fox: The Rôle of the Hero in the Plays of Shakespeare (London: The Richards Press, 1927).

———, Paleface: The Philosophy of the ‘Melting-Pot’ (London: Chatto and Windus, 1929).

———, Hitler (London: Chatto and Windus, 1931).

———, Blasting and Bombardiering (London: Eyre and Spottiswoode, 1937).

———, Rude Assignment: A Narrative of My Career Up-to-date (London: Hutchinson, 1950).

———, The Writer and the Absolute (London: Methuen, 1952).

———, ‘Introduction’, Wyndham Lewis and Vorticism (exhibition catalogue, Tate Gallery, 1956).

———, The Letters of Wyndham Lewis, ed. W. K. Rose (London: Methuen, 1963).

———, The Complete Wild Body, ed. Bernard Lafourcade (Santa Barbara: Black Sparrow Press, 1982).

———, Blasting and Bombardiering (London: John Calder, 1982).

———, The Caliph’s Design: Architects! Where is your Vortex?, ed. Paul Edwards (Santa Barbara: Black Sparrow Press, 1986).

———, Men without Art, ed. Seamus Cooney (Santa Barbara: Black Sparrow Press, 1987).

———, Time and Western Man, ed. Paul Edwards (Santa Rosa: Black Sparrow Press, 1993).

Lidderdale, Jane, and Nicholson, Mary, Dear Miss Weaver (London: Faber and Faber, 1970).

Lindberg-Seyersted, Brita (ed.), Pound/Ford, the Story of a Literary Friendship: The Correspondence between Ezra Pound and Ford Madox Ford and Their Writings about Each Other (London: Faber and Faber, 1982).

Lloyd, Jill, German Expressionism: Primitivism and Modernity (New Haven, CT: Yale University Press, 1991).

Long, Rose-Carol Washton (ed.), German Expressionism: Documents from the End of the Wilhelmine Empire to the Rise of National Socialism (Berkeley/Los Angeles: University of California Press, 1995).

Lovett, Edward, Magic in Modern London (Croydon: Printed at the Advertiser Offices, 1925).

Lucas, John (ed.), Moderns and Contemporaries: Novelists, Poets, Critics (Brighton: Harvester Press, 1985).

———, The Radical Twenties: Writing, Politics, Culture (Nottingham: Five Leaves Publications, 1997; New Brunswick, NJ: Rutgers University Press, 1999).

———, The 1930s: A Challenge to Orthodoxy (Brighton: Harvester, 1978).

Lyall, Scott, Hugh MacDiarmid’s Poetry and Politics of Place (Edinburgh: Edinburgh University Press, 2006).

Lyon, Janet, Manifestoes: Provocations of the Modern (Ithaca and London: Cornell University Press, 1999).

McAleer, Joseph, Popular Reading and Publishing in Britain, 1914–1950 (Oxford: Clarendon Press; New York: Oxford University Press, 1992).

MacCarthy, Desmond, ‘The World of Books’, Sunday Times (27 Dec. 1931). (p.917)

MacCarthy, Fiona, William Morris: A Life for Our Time (London: Faber and Faber, 1994).

McCleery, Alistair (ed.), Landscape and Light: Essays by Neil Gunn (Aberdeen: Aberdeen University Press, 1987).

McCulloch, Margery, Edwin Muir: Poet, Critic and Novelist (Edinburgh: Edinburgh University Press, 1993).

MacDiarmid, Hugh, The Letters of Hugh MacDiarmid, ed. Alan Bold (London: Hamish Hamilton, 1984).

MacDonald, Murdo, Patrick Geddes: A Democratic Intellect (Dundee: Dundee University Press, 2007).

MacDonald, Peter, British Literary Culture and Publishing Practice 1880–1914 (Cambridge: Cambridge University Press, 2002).

MacDonell, A. G., England, Their England (London: Macmillan, 1933).

McGann, Jerome J., The Textual Condition (Princeton: Princeton University Press, 1991).

McKenzie, D. F., Bibliography and the Sociology of Texts (Cambridge: Cambridge University Press, 1999).

McKibbin, Ross, Classes and Cultures: England 1918–1951 (Oxford: Oxford University Press, 1998).

McKible Adam, The Space and Place of Modernism: The Russian Revolution, Little Magazines and New York (London/New York: Routledge, 2002).

MacKillop, Ian, F. R. Leavis: A Life in Criticism (London: Penguin Allen Lane, 1993).

———, ‘Knights, Lionel Charles (1906–1997)’, Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004). Available at: http://www.oxforddnb.com/view/article/65193, accessed 11 March, 2008.

———, and Storer, Richard (eds), F. R. Leavis: Essays and Documents (Sheffield: Sheffield Academic Press, 1995).

MacLaren-Ross, Julian, Memoirs of the Forties (London Magazine Editions, 1965).

McLuhan, Marshall, ‘Recollections of Wyndham Lewis’, flexidisk recording in Arts Canada, 114 (Nov. 1967).

McMillan, Douglas, transition: The History of a Literary Era, 1927–1938 (London: Calder and Boyars, 1975).

MacMillan, Duncan, Scottish Art in the 20th Century (Edinburgh and London: Mainstream Publishing, 1994).

———, ‘France and Scotland in the Arts’, paper given at L’Institut Francais d’Ecosse, Edinburgh. Extract available on: http://uww.Ifecosse.org.uk/English-version/News-IFE.htm

McNeil, Helen, ‘Vortex Modernism: A Little Magazine and the Making of Modernity’, in Kate Campbell (ed.), Journalism, Literature and Modernity: From Hazlitt to Modernism (Edinburgh: Edinburgh University Press, 2000), 141–69.

MacShane, Frank, ‘The English Review’, The South Atlantic Quarterly, 60:1 (1961), 311–319. (p.918)

Madden, Richard Robert, The History of Irish Periodical Literature, from the end of the 17th to the middle of the 19th century, its origins, progress, and results; with notices of remarkable persons connected with the press in Ireland during the past two centuries, 2 vols. (London: T. C. Newby, 1867).

Madge, Charles, Of Love, Time and Places: Selected Poems (London: Anvil, 1994).

Malvern, S. B., ‘Inventing “Child Art”: Franz Cˇ ižek and Modernism’, British Journal of Aesthetics, 35 (1995), 262–72.

Mansfield, Katherine, The Collected Letters of Katherine Mansfield, vol. ii: 1918–1919, eds. Vincent O’Sullivan and Margaret Scott (Oxford: Clarendon Press, 1987).

———, The Collected Letters of Katherine Mansfield, vol. iii: 1919–1920, ed. Vincent O’Sullivan and Margaret Scott (Oxford: Clarendon Press, 1993).

Marcan, Peter, Bermondsey and Rotherhithe Perceived (London: Peter Marcan Publications, 1998).

Marchand, Leslie A., The Athenaeum: A Mirror of Victorian Culture (Chapel Hill: University of North Carolina Press, 1941).

Marcus, Jane (ed.), The Young Rebecca: Writings of Rebecca West 1911–17 (Bloomington, IN: Indiana University Press, 1982).

Marcus, Laura (ed.), ‘Mass Observation as Poetics and Science’, New Formations, 44 (Autumn 2001), special issue (Lawrence and Wishart, 2001).

———, The Tenth Muse: Writing about Cinema in the Modernist Period (Oxford: Oxford University Press, 2007).

Marek, Jayne E., Women Editing Modernism: ‘Little’ Magazines and Literary History (Lexington: University Press of Kentucky, 1995).

Margolis, John, T. S. Eliot’s Intellectual Development, 1922–1939 (Chicago: Chicago University Press, 1972).

Marks, Peter, ‘Making the New: Literary Periodicals and the Construction of Modernism’, Precursors and Aftermaths: Literature in English 1914–1945, 2:1 (2004), 37.

Marsh, Jan, Dante Gabriel Rossetti: Painter and Poet (London: Weidenfeld and Nicolson, 1999).

Marshik, Celia, ‘History’s “Abrupt Revenges”: Censoring War’s Perversions in The Well of Loneliness and Sleeveless Errand’, Journal of Modern Literature, 26:2 (Winter 2003), 145–59.

Martin, Wallace, ‘The New Age’ under Orage: Chapters in Cultural History (New York: Barnes and Noble, 1967).

Massé, H. J. L. J., The Art Workers’ Guild (Oxford: Shakespeare Head Press, 1935).

Materer, Timothy (ed.), Pound/Lewis: The Letters of Ezra Pound and Wyndham Lewis (New York: New Directions, 1985).

———, ‘Make It Sell! Ezra Pound Advertises Modernism’, in Kevin J. H. Dettmar and Stephen Watt (eds), Marketing Modernisms: Self-Promotion, Canonization, and Rereading (Ann Arbor: University of Michigan Press, 1996), 19–20.

Mathapati, R. G., ‘Abbas: An Island: Director of over thirty films, 1946–1988’: part 1 (Dharwad, 1998–2000). Available at: www.ourkarnataka.com/Articles/mathapati/abbas_mathapati.htm (p.919)

Mathias, Roland, A Ride Through the Wood: Essays on Anglo-Welsh Literature (Bridgend: Poetry Wales Press, 1985).

Matthews, Sean, ‘The Responsibilities of Dissent: Leavis after Scrutiny’, Literature and History, 13:2 (Nov. 2004), 49–66.

Maud, Ralph (ed.), Dylan Thomas: The Broadcasts (London: Dent, 1971).

Mengham, Rod, ‘Bourgeois News: Humphrey Jennings and Charles Madge’, New Formations, 44 (Autumn 2001), 26–33.

———, and Kinsella, John (eds), Vanishing Points: New Modernist Poems (Cambridge: Salt, 2004).

Merrill, Linda, A Pot of Paint: Aesthetics on Trial in Whistler v. Ruskin (Washington, DC, and London: Smithsonian Institution Press in collaboration with the Freer Gallery of Art, Smithsonian Institution, 1992).

Michel, Walter, Wyndham Lewis: Paintings and Drawings (London: Thames and Hudson, 1971).

Miller, David, and Price, Richard (eds), British Poetry Magazines 1914–2000: A History and Bibliography of ‘Little Magazines’ (London: British Library, 2006).

Miller, Tyrus, Late Modernism: Politics, Fiction and the Arts between the World Wars (Berkeley: University of California Press, 1999).

Mir, Safdar (‘Zeno’), ‘Professor Ahmed Ali and the Progressive Writers’ Movement’, Annual of Urdu Studies, 9 (Madison: University of Wisconsin, 1994), 40. Available at: http://www.urdustudies.com/pdf/09/10ZenoProfessor.pdf

Mix, Katherine Lyon, A Study in Yellow (Lawrence, KS: University of Kansas Press, 1960).

Mizener, Arthur, The Saddest Story: A Biography of Ford Madox Ford (London: Bodley Head, 1971).

Monro, Harold (ed.), Twentieth Century Poetry: An Anthology (London: Chatto and Windus, 1929).

Montefiore, Janet, Men and Women Writers of the 1930s: The Dangerous Flood of History (London: Routledge, 1996).

Moore, George, Literature at Nurse, Or, Circulating Morals (London: Vizetelly, 1885).

———, Hail and Farewell, ed. Richard Cave (Gerrards Cross: Colin Smythe, 1985).

Moretti, Franco, Graphs, Maps, Trees: Abstract Models for Literary History (London: Verso, 2005).

Morris, Margaret, The Art of J. D. Fergusson (London: Blackie and Sons, 1974).

Morris, William, The Collected Letters of William Morris, vol. i: 1848–1880, ed. Norman Kelvin (Guildford, Surrey: Princeton University Press, 1984).

———, The Collected Works of William Morris, 1910–15, ed. May Morris, 24 vols (London: Routledge/Thoemmes Press, 1992), xxiii.

Morrisson, Mark, The Public Face of Modernism: Little Magazines, Audiences, and Reception 1905–1920 (Madison: University of Wisconsin Press, 2001).

Morrow, Bradford, and Lafourcade, Bernard, A Bibliography of the Writings of Wyndham Lewis (Santa Barbara: Black Sparrow Press, 1978). (p.920)

Mott, Frank Luther, A History of American Magazines, vol. v: 1905–1930 (Cambridge, MA: Belknap Press, 1968).

Muir, Edwin, An Autobiography, with a new introduction by Lord Grimond (London: Hogarth Press, 1987).

Mulhern, Francis, The Moment of Scrutiny (London: New Left Books, 1979).

Munby, F. A., and Norrie, Ian, Publishing and Bookselling (London: Jonathan Cape, 1974).

Munton, Alan, ‘George Orwell, Wyndham Lewis and the Origins of Cultural Studies’ (2003). Available at: http://www.arasite.org/amlewis.html. Accessed 1 Feb. 2007.

———, ‘Vorticism’, in David Bradshaw and Kevin J. H. Dettmar (eds), A Companion to Modernist Literature and Culture (Oxford: Blackwell, 2006), 176–82.

Murry, John Middleton, To the Unknown God (London: Jonathan Cape, 1924).

———, Son of Woman: The Life of D. H. Lawrence (London: Jonathan Cape, 1931).

———, Reminiscences of D. H. Lawrence (London: Jonathan Cape, 1933).

———, Katherine Mansfield and Other Literary Essays (London: John Murray, 1959).

———, The Letters of John Middleton Murry to Katherine Mansfield, ed. C. A. Hankin (London: Constable, 1983).

Muthesius, Hermann, The English House, ed. Dennis Sharp, and trans. Janet Seligman, with a Preface by Julius Posener (Oxford: BSP Professional Books, 1987).

Nathanson, Carol A., The Expressive Fauvism of Anne Estelle Rice (New York: Hollis Taggart Galleries, 1997).

Naylor, A. R. (ed.), Existence: Austin Spare, 1886–1956 (Thame: I-H-O Books, 2006).

Naylor, Gillian, The Arts and Crafts Movement: A Study of its Sources, Ideals and Influence on Design Theory (London: Studio Vista, 1971).

Nelson, James G., The Early Nineties: A View from the Bodley Head (Cambridge, MA: Harvard University Press, 1971).

———, Elkin Mathews, Publisher to Yeats, Joyce, Pound (Madison: University of Wisconsin Press, 1989).

———, Publisher to the Decadents: Leonard Smithers in the Careers of Beardsley, Wilde, and Dowson (High Wycombe: Rivendale Press, 2000).

Nicholls, Peter, Modernisms: A Literary Guide (London: Macmillan, 1995).

Normand, Tom, The Modern Scot: Modernism and Nationalism in Scottish Art 1928–1955 (Aldershot: Ashgate, 2000).

Norris, Ken, The Little Magazine in Canada, 1925–1980 (Toronto: ECW Press, 1984).

North, Michael, The Dialect of Modernism (Oxford: Oxford University Press, 1994).

———, Camera Works: Photography and the Twentieth-Century Word (Oxford: Oxford University Press, 2005).

Ó Drisceoil, Dónal, Censorship in Ireland, 1939–1945: Neutrality, Politics and Society (Cork: Cork University Press, 1996).

O’Faoláin, Seán, An Irish Journey (London: Longmans, Green, 1940).

———, The Collected Stories (London: Constable, 1980).

O’Flaherty, Liam, The Letters, ed. A. A. Kelly (Dublin: Wolfhound Press, 1996). (p.921)

O’Keefe, Paul, ‘ “The Troubled Birth of Blast”: December 1913–June 1914’, International Centrum Voor Structuuranalyse En Constructivisme Cahier 8/9: Vorticism (Brussels: Oplage, 1988), 43–57.

———, Some Sort of Genius: A Life of Wyndham Lewis (London: Jonathan Cape, 2000).

Orwell, George, The Collected Essays, Journalism, and Letters of George Orwell, vol. i: An Age like This, ed. Sonia Orwell and Ian Angus (London: Secker and Warburg, 1968).

———, The Collected Essays, Journalism and Letters of George Orwell, vol. ii: My Country Right or Left 1940–1943, ed. Sonia Orwell and Ian Angus (Secker and Warburg, 1968).

———, A Collection of Essays (San Diego: Harcourt, Brace, Jovanovich, 1981).

———, The War Broadcasts, ed. W. J. West (Harmondsworth: Penguin, 1987).

———, The Complete Works of George Orwell, Vol. xii: A Patriot after All, ed. Peter Davison (London: Secker and Warburg, 1998).

Owen, Alex, The Place of Enchantment: British Occultism and the Culture of the Modern (Chicago: University of Chicago, 2004).

Padmanabhan, R., ‘A Progressive Poet’, Frontline: India’s National Magazine, 15:3 (Mumbai, 7–20 Feb. 1998). Available at: http://www.frontline.in/fl1503/15030780.htm

Palmer, D. J., The Rise of English Studies: An Account of the Study of English Language and Literature from its Origins to the Making of the Oxford English School (Oxford: Oxford University Press, 1965).

Paraskos, Michael, ‘Herbert Read and Leeds’, Herbert Read: A British Vision of World Art, ed. Benedict Read and David Thistlewood (London: Leeds City Art Galleries, 1993), 25–37.

Parry, Linda, Textiles of the Arts and Crafts Movement (London: Thames and Hudson, 1988).

Pater, Walter, The Renaissance: Studies in Art and Poetry, the 1893 text, ed. Donald L. Hill (Berkeley: University of California Press, 1980).

Patterson, Ian, ‘Anarcho-imperialism, Modernism, Mystification and Muddle’, The Cambridge Quarterly, 30:2 (2001), 183–90.

Pelling, Henry, The British Communist Party: A Historical Profile (London: Adam and Charles Black, 1975).

Peppin, Brigid, Helen Saunders, 1885–1963 (Oxford: Ashmolean Museum; Sheffield: The Graves Art Gallery, 1996).

Perloff, Marjorie, The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture (Chicago and London: University of Chicago Press, 1986).

Perrino, Mark, The Poetics of Mockery: Wyndham Lewis’s ‘The Apes of God’ and the Popularization of Modernism (Leeds: W. S. Maney for the Modern Humanities Research Association, 1995).

Peters Corbett, David, The World in Paint: Modern Art and Visuality in England 1848–1914 (Manchester: Manchester University Press, 1994).

———, The Modernity of English Art, 1914–30 (Manchester: Manchester University Press, 1997). (p.922)

Peters Corbett, David, ‘Lawrence Binyon and the Aesthetic of Modern Art’, Visual Culture in Britain, 6:1 (2005), 101–19.

———, and Thacker, Andrew, ‘Raymond Williams and Cultural Formations: Movements and Magazines’, Prose Studies, 16:2 (Aug. 1993), 84–106.

Pevsner, Nikolaus, Pioneers of Modern Design from William Morris to Walter Gropius (Harmondsworth: Penguin, 1960).

———, Studies in Art, Architecture and Design: Victorian and After (London: Thames and Hudson, 1968).

Pierson, Stanley, British Socialists: The Journey from Fantasy to Politics (Cambridge: Harvard University Press, 1979).

Pikoulis, John, ‘Lynette Roberts and Alun Lewis’, Poetry Wales, 19:2 (Bridgend, MidGlamorgan, 1983), 18.

Plomer, William, At Home: Memoirs (London: Jonathan Cape, 1958).

Potter, Rachel, ‘Modernism and Democracy: A Reconsideration’, Critical Quarterly, 44:2 ( July 2002), 1–16.

———, Modernism and Democracy: Literary Culture 1900–1930 (Oxford: Oxford University Press, 2006).

Pound, Ezra, ‘Small Magazines’, English Journal, 19:9 (Nov. 1930), 689–704.

———, Gaudier-Brzeska: A Memoir (New York: New Directions, 1970).

———, Selected Letters of Ezra Pound, 1907–1941, ed. D. D. Paige (New York: New Directions, 1971).

Premchand, Munshi, ‘The Shroud’, New Road 1944: New Directions in European Art and Letters, ed. Alex Comfort and John Bayliss (London: Grey Walls Press: 1944), 206–13.

Presley, John W., ‘The Owl: An Extended Bibliographic Note’, Gravesiana: The Journal of the Robert Graves Society, 1:1 ( June 1996), 33–45.

Price, Kate, ‘ “Finite But Unbounded”: Experiment magazine, Cambridge, England, 1928–31’, Jacket, 20 (Dec. 2002). Available at: http://jacketmagazine.com/20/price-expe.html

Puchner, Martin, Poetry of the Revolution: Marx, Manifestoes and the Avant-Gardes (Princeton/Oxford: Princeton University Press, 2006).

Pykett, Lyn, ‘The Making of a Modern Woman Writer: Rebecca West’s Journalism, 1911–1930’, in Kate Campbell (ed.), Journalism, Literature and Modernity (Edinburgh University Press, 2000), 170–89.

Quennell, Peter, A Letter to Mrs. Virginia Woolf (London: Hogarth, 1932).

———, The Marble Foot: An Autobiography, 1905–1938 (London: Collins, 1976).

Quigley, Megan M., ‘The Most Brilliant List of Contributors on Record: The Athenaeum, 1919–1921’, Oxford, unpublished M.Phil. thesis (1998).

Quinn, Patrick (ed.), Recharting the Thirties (Selinsgrove: Susquehanna University Press, 1996).

Rabaté, Jean-Michel, James Joyce and the Politics of Egoism (Cambridge: Cambridge University Press, 2001).

Raine, Craig, T. S. Eliot (Oxford: Oxford University Press, 2006). (p.923)

Rainey, Lawrence, Institutions of Modernism: Literary Elites and Public Culture (New Haven/London: Yale University Press, 1998).

———, Revisiting ‘The Waste Land’ (New Haven: Yale University Press, 2005).

Read, Herbert, Annals of Innocence and Experience (London: Faber and Faber, 1940).

———, ‘The New Romantic School’, The Listener (23 Apr. 1942), 533.

———, The Contrary Experience: Autobiographies (London: Faber and Faber, 1963).

Rees, Sir Richard, A Theory of My Time (London: Secker and Warburg, 1963).

Reeve, N. H., and Kerridge, Richard, Nearly Too Much: The Poetry of J. H. Prynne (Liverpool: Liverpool University Press, 1995).

Reeves, James (ed.), Georgian Poetry (Harmondsworth: Penguin, 1981).

Reid, Forrest (ed.), Pound/Joyce: The Letters of Ezra Pound to James Joyce, with Pound’s Essays on Joyce (New York: New Directions, 1970).

Reisenfeld, Robin, ‘Cultural Nationalism, Brücke and the German Woodcut: The Formation of a Collective Identity’, Art History, 20 (1997), 289–312.

Remy, Michel, Surrealism in Britain (Aldershot: Lund Humphries, 1999).

Reynolds, Paige, ‘“Chaos Invading Concept”: Blast as a Native Theory of Promotional Culture’, Twentieth Century Literature (Summer 2000), 238–68.

———, ‘Reading Publics, Theatre Audiences, and the Little Magazines of the Abbey Theatre’, New Hibernia Review, 7:4 (2003), 66.

Rhondda, Viscountess, Leisured Women (London: Hogarth Essays, 1928).

———, This Was My World (London: Macmillan, 1933).

———, Notes on the Way (London: Macmillan, 1937).

Ricketts, Charles, A Defence of the Revival of Printing (London: Hacon and Ricketts, 1899).

Ricks, Christopher, T. S. Eliot and Prejudice (London: Faber and Faber, 1988).

Rickword, Edgell, ‘A Conversation with Edgell Rickword’, Conducted by Michael Schmidt and Alan Young, Poetry Nation, 1 (1973), 73–89.

———, Essays and Opinions, 1921–1931, ed. Alan Young (Manchester: Carcanet, 1974).

———, Collected Poems, ed. Charles Hobday (Manchester: Carcarnet, 1991).

Riding, Laura, Contemporaries and Snobs (London: Jonathan Cape, 1928).

———, The Life of the Dead, with ten illustrations by John Aldridge (London: Arthur Baker, 1933).

———, Everybody’s Letters, Collected and Arranged by Laura Riding, with an Editorial Postscript (London: Barker, 1933).

———, The Word ‘Woman’, And Other Related Writings, ed. by Elizabeth Friedmann, and Alan J. Clark (New York: Persea, 1993).

———, The Poems Of Laura Riding, A New Edition of the 1938 Collection with a new Introduction and Appendix by Laura (Riding) Jackson (Manchester: Carcanet, 1980).

———, Anarchism is Not Enough, ed. Lisa Samuels (Berkeley: University of California Press, 2001).

———, The Telling (Manchester: Carcanet, 2005).

———, and Graves, Robert, A Survey of Modernist Poetry (New York: Doubleday, 1928). (p.924)

(Riding) Jackson, Laura and Jackson, Schuyler B., Rational Meaning: A New Foundation for the Definition of Words, ed. William Harmon, intro. Charles Bernstein (Charlottesville, VA/London: University Press of Virginia, 1997).

Roberts, Michael (ed.), New Signatures: Poems by Several Hands (London: Hogarth Press, 1932).

———, (ed.), New Country: Prose and Poetry by the Authors of ‘New Signatures’ (London: Hogarth Press, 1933).

Roberts Jones, Sally, ‘Painting in the Open Air—an Annotated Bibliography of the Anglo-Welsh Short Story’, Part 1. Available at: http://www.swan.ac.uk/english/crew/SRJ_BIBAWSS. Accessed 12 Dec. 2006.

Rose, Jonathan, The Intellectual Life of the British Working Class (New Haven/London: Yale University Press, 2001).

Ross, Robert H., The Georgian Revolt, 1910–1922, Rise and Fall of a Poetic Ideal (Carbondale and Edwardsville, IL: Southern Illinois University Press, 1965).

Rossetti, Dante Gabriel, Dante Gabriel Rossetti His Family Letters with a Memoir, 2 vols (Boston: Robert brothers, 1895).

———, The Correspondence of Dante Gabriel Rossetti: The Formative Years, 1835–1862, ed. William E. Fredeman (Cambridge: Boydell and Brewer, 2002).

Rossetti, William Michael, Gabriel Rossetti. His Family-Letters with a Memoir, vol. i (London: Ellis, 1895).

———, The P.R.B. Journal: William Michael Rossetti’s Diary of the Pre-Raphaelite Brotherhood 1849–1853, edited from the Original Manuscript with an Introduction and Notes by William E. Fredeman (Oxford: Clarendon Press, 1975).

Rothenstein, John, The Artists of the 1890s (London: Routledge, 1928).

———, John Nash (London: Macdonald, 1983).

Ruedy, Ralph Herman, Ford Madox Ford and the English Review (unpublished Ph.D. Dissertation, Duke University, 1976).

Ruskin, John, The Stones of Venice, in E. T. Cook and Alexander Wedderburn (eds), The Works of John Ruskin, 39 vols (Cambridge: Cambridge University Press, 1996), x.

Rutter, Frank, A Muddied Oaf (London: Treherne, 1902).

———, Revolution in Art: An Introduction to the Study of Cézanne, Gauguin, Van Gogh, and Other Modern Painters (London: Art News Press, 1910).

———, Dante Gabriel Rossetti: Painter and Man of Letters (London: Grant Richards, 1911).

———, James McNeill Whistler: An Estimate and a Biography (London: Grant Richards, 1911).

———, Since I Was Twenty-Five (London: Constable, 1927).

———, Art in My Time (London: Rich & Cowan, 1933).

———, Modern Masterpieces: An Outline of Modern Art (London: George Newnes, 1940).

Saddlemyer, Ann, Theatre Business. The Correspondence of the First Abbey Theatre Directors: William Butler Yeats, Lady Gregory and J. M. Synge (Gerrards Cross: Colin Smythe, 1982).

Sader, Marion, Comprehensive Index to English-language Little Magazines, 1890–1970 (New York: Knaus-Thomson Organisation, 1976).

Sadleir, Michael, Michael Ernest Sadler (London: Constable, 1949). (p.925)

Salaman, Malcolm C., Modern Woodcuts and Lithographs by British and French Artists (London: Studio, 1919).

Samson, Anne, F. R. Leavis (London: Harvester Wheatsheaf, 1992).

Samuel, Richard, and Thomas, R. Hinton, Expressionism in German Life, Literature and the Theatre (1910–1924) (Cambridge: W. Heffer and Sons, 1939).

Samuels Lasner, Mark, The Yellow Book: A Checklist and Index (London: Eighteen Nineties Society, 1998).

Saunders, Max, Ford Madox Ford: A Dual Life (Oxford and New York: Oxford University Press, 1996).

Scholes, Robert, Paradoxy of Modernism (New Haven: Yale University Press, 2006).

Segrave, Edmond, ‘Review of Publishing Since 1939’, The Author’s and Writer’s Who’s Who (London: Shaw Publishing, 1949), pp. xiii–xiv.

Selborne, Joanna, British Wood-Engraved Book Illustration, 1904–1940 (Oxford: Clarendon, 1998).

Semple, Gavin W., Zos-Kia¯: An Introductory Essay on the Art and Sorcery of Austin Osman Spare (London: Fulgar, 1995).

Senelick, Laurence, ‘The Craig-Stanislavsky Hamlet at the Moscow Art Theatre’, Theatre Quarterly, 6/2 (1976), 56–122.

———, ‘Moscow and Monodrama: The Meaning of the Craig-Stanislavsky Hamlet’, Theatre Research International, 6 (1981).

———, Gordon Craig’s Moscow ‘Hamlet’: A Reconstruction (Westport, CT: Greenwood Press, 1982).

Sharp, Elizabeth A., William Sharp (Fiona Macleod): A Memoir (London: William Heinemann, 1910).

Shattock, Joanne, Politics and Reviewers: The ‘Edinburgh’ and the ‘Quarterly’ in the Early Victorian Age (Leicester: Leicester University Press, 1989).

Shelden, Michael, Friends of Promise: Cyril Connolly and the World of Horizon (New York: Harper and Row, 1989).

Shepherd, Jennifer, ‘Marketing Middlebrow Feminism: Elizabeth von Arnim, the New Woman and the Fin-de-Siècle Book Market’, Philological Quarterly (Winter 2005), 105–31.

Shovlin, Frank, The Irish Literary Periodical 1923–1958 (Oxford: Clarendon Press, 2003).

Singh, N. Iqbal, The Ardent Pilgrim: An Introduction to the Life and Work of Mohammed Iqbal, translated by Naeemullah Malik (Oxford: Oxford University Press, 1997).

Singh, G., F. R. Leavis: A Literary Biography (London: Duckworth, 1995).

Sitwell, Osbert, Who killed Cock-Robin? (London: C. W. Daniel, 1921).

———, Laughter in the Next Room (London: Macmillan, 1949).

———, Noble Essences: A Book of Characters (London: Macmillan, 1950).

Sitwell, Sacheverell, The Gothick North: A Study of Medieval Life, Art, and Thought (Boston: Houghton Mifflin, 1929).

Skelton, Robin (ed.), Poetry of the Forties (Harmondsworth: Penguin, 1968). (p.926)

Sloan, Pat (ed.), John Cornford: A Memoir (Dunfermline: Borderline Press, 1978).

Smith, Adrian, The New Statesman (London: Cass, 1996).

Smith, Angela, Katherine Mansfield and Virginia Woolf: A Public of Two (Oxford Clarendon Press, 1999).

———, Katherine Mansfield: A Literary Life (London: Palgrave, 2000).

Smith, Peter Macdonald, ‘The Making of the Anglo-Welsh Tradition (1)’, The New Welsh Review, 1:1 (Summer 1988), 61–4.

———, ‘Poetry, Politics and the Use of English: The Periodicals and the Anglo-Welsh Tradition (3)’, The New Welsh Review, 1:3 (1988).

Smith, Stan, ‘Broad-minded Leftwingers and Marxian Playboys: Wyndham Lewis, W. H. Auden and the Literary Left in the 1930s’, in Carmelo Cunchillos Jaime (ed.), Wyndham Lewis the Radical: Essays on Literature and Modernity (Bern: Peter Lang, 2007).

Spare, Austin Osman, Two Tracts on Cartomancy, ed. Gavin W. Semple (London: Fulgar, 1997).

———, The Focus of Life, ed. Frederick Carter (Thame: I-H-O Books, 2000).

———, Anathema of Zos (Thame: I-H-O Books, 2001).

———, The Book of Pleasure (Self-Love): The Psychology of Ecstasy (Thame: I-H-O Books, 2005).

Speirs, John, The Scots Literary Tradition (London: Chatto and Windus, 1940).

Spencer, Robin, The Aesthetic Movement: Theory and Practice (London: Studio Vista, 1972).

Spender, Dale (ed.), Time and Tide Wait for No Man (London: Pandora, 1984).

Spender, Stephen, World within World (London: Hamish Hamilton, 1951).

———, Journals 1939–1983, ed. J. Goldsmith (London: Faber and Faber, 1985).

Stalley, Marshall (ed.), Patrick Geddes: Spokesman for Man and the Environment (New Brunswick, NJ: Rutgers University Press, 1972).

Stansky, Peter, Redesigning the World: William Morris, the 1880s and the Arts and Crafts (Guildford: Princeton University Press, 1985).

Steele, Tom, Alfred Orage and the Leeds Arts Club 1893–1923 (Aldershot: Scholar Press, 1990).

Steen, Marguerite, William Nicholson (London: Collins, 1943).

Stephens, Meic, ‘ “The Third Man”: Robert Herring and Life and Letters To-Day’, Welsh Writing in English, 3 (1997), 157–69.

Stetz, Margaret, ‘The Yellow Book and the Beardsley Myth’, JENS, 26 (1999), 33–42.

———, ‘The Snake Lady and the Bruised Bodley Head’, in Catherine Maxwell and Patricia Pulham (eds), Vernon Lee: Decadence, Ethics, Aesthetics (Basingstoke: Palgrave, 2006), 112–22.

———, ‘The Love that Dared Not Speak His Name: Literary Responses to the Wilde Trials’, in Jonathan Allison (ed.), Bound for the 1890s (High Wycombe: Rivendale Press, 2006), 55–6. (p.927)

Stirner, Max, The Ego and His Own, ed. David Leopold (Cambridge: Cambridge University Press, 1995).

Stock, Noel, The Life of Ezra Pound (Harmondsworth: Penguin, 1974).

Stonesifer, Richard J., W. H. Davies: A Critical Biography (London: Jonathan Cape, 1963).

Strong, L. A. G., Green Memory (London: Methuen, 1961).

Sturgis, Matthew, Passionate Attitudes: English Decadence of the 1890s (London: Macmillan, 1995).

———, Aubrey Beardsley: A Biography (London: HarperCollins, 1998).

Sullivan, Alvin (ed.), British Literary Magazines: The Victorian and Edwardian Age, 1837–1913 (Westport, CT: Greenwood Press, 1984).

———, (ed.), British Literary Magazines: The Modern Age, 1914–1984 (Westport, CT: Greenwood Press, 1986).

Symons, Arthur, ‘The Decadent Movement in Literature’, Harper’s New Monthly Magazine, 87 (Nov. 1893), 858–67.

Symons, Julian, Notes from Another Country (London Magazine Editions, 1972).

———, The Thirties: A Dream Revolved (London: Faber and Faber, 1975).

Synge, J. M., The Collected Letters of John Millington Synge, vol. i: 1871–1907, ed. Ann Saddlemyer (Oxford: Oxford University Press, 1983).

Tate, Allen (ed.), T. S. Eliot: The Man and His Work (London: Chatto and Windus, 1967).

Taylor, Georgina, H.D. and the Public Sphere of Modernist Women Writers 1913–1946 (Oxford: Oxford University Press, 2001).

Taylor, John Russell, The Art Nouveau Book in Britain (London: Methuen, 1966).

Thistlewood, David, Herbert Read: Formlessness and Form: An Introduction to his Aesthetics (London: Routledge, 1984).

Thomas, Dylan, Collected Poems 1934–1952 (London: Dent, 1952).

———, The Collected Letters, ed. Paul Ferris (London: Dent, 1985).

Thomas, Edward, Letters from Edward Thomas to Gordon Bottomley, ed. R. George Thomas (London: Oxford University Press, 1968).

Thompson, Denys (ed.), The Leavises: Recollections and Impressions (Cambridge: Cambridge University Press, 1984).

Thompson, E. P., Making History: Writings on History and Culture (New York: New Press, 1994).

Thomson, Richard, ‘Gilman’s Subjects: Some Observations’, Harold Gilman, 1876–1919 (London: Arts Council, 1981), 20–35.

Tickner, Lisa, ‘English Modernism in the Cultural Field’, in David Peters Corbett and Laura Perry (eds), English Art 1860–1914: Modern Artists and Identity (Manchester: Manchester University Press, 2000), 13–30.

———, Modern Life and Modern Subjects: British Art in the Early Twentieth Century (New Haven/London: Yale University Press, 2000).

Tillyard, S. K., The Impact of Modernism 1900–1920: Early Modernism and the Arts and Crafts Movement in Edwardian England (London: Routledge, 1988). (p.928)

Tolley, A. T. (ed.), ‘Poetry of the Forties’, Aquarius, 17–18 (1986–7).

———, British Literary Periodicals of World War II and Aftermath: A Critical History (Kemptville, Canada: Golden Dog Press, 2007).

Tomalin, Claire, Katherine Mansfield: A Secret Life (London: Viking, 1987).

Tomkinson, G. S., A Select Bibliography of the Principal Modern Presses, Public and Private, in Great Britain and Ireland (London: First Edition Club, 1928).

Tomlinson, Charles, ‘Scrutiny Ten Years After’, Hudson Review, 17:2 (Summer 1964), 286–93.

Trodd, Kenneth, ‘From the Younger Generation’, Essays in Criticism, 14:1 (Jan. 1964), 21–2.

Turner, Mark, ‘Urban Encounters and Visual Play in the Yellow Book’, in Laurel Brake and Julie F. Codell (eds), Encounters in the Victorian Press: Editors, Authors, Readers (Basingstoke: Palgrave, 2004), 136–60.

Tye, J. R., Periodicals of the Nineties: A Checklist of Literary Periodicals Published in the British Isles at Longer than Fortnightly Intervals, 1890–1900 (Oxford: Occasional Publications no. 9, Oxford Bibliographical Society, 1974).

Ul Haq, Asrar (‘Majaz’), Jafri, Ali Sardar, and Hasan, Sibte (eds), Naya Adab: Anthology of Progressive Writing (Lucknow: Halqa-i-Adab, 1939).

Vanheste, Jeroen, Guardians of the Humanist Legacy: The Classicism of T. S. Eliot’s Criterion Network and its Relevance to our Postmodern World (Leiden: Brill, 2007).

Wagner, Leopold, How to Publish a Book or Article and How to Produce a Play: Advice to Young Authors (London: G. Redway, 1898).

Waley, Arthur, The Noh Plays of Japan (London: Allen and Unwin, 1919).

Walkowitz, Rebecca L., Cosmopolitan Style: Modernism beyond the Nation (New York: Columbia University Press, 2007).

Wasson, Haidee, ‘Writing the Cinema into Daily Life: Iris Barry and the Emergence of British Film Criticism’, in Andrew Higson (ed.), Young and Innocent? British Silent Cinema (Exeter: University of Exeter Press, 2001), 321–37.

Waters, Chris, British Socialists and the Politics of Popular Culture, 1880–1914 (Manchester: Manchester University Press, 1990).

Waugh, Alec, The Early Years of Alec Waugh (London: Cassell, 1962).

Waugh, Evelyn, Put out More Flags (Harmondsworth: Penguin, 1943).

Wees, William, Vorticism and the English Avant-Garde (Manchester: Manchester University Press, 1972).

Weightman, J. G., ‘The Passion of Scrutiny’, Nation (7 Dec. 1963), 393–4.

Weinberg, Herman G., Saint Cinema: Writings on the Film 1929–1970 (New York: Dover, 1973).

Weintraub, Stanley (ed.), The Savoy: Nineties Experiment (University Park/London: Penn State University Press, 1966).

Weisstein, Ulrich, ‘Vorticism: Expressionist English Style’, in idem (ed.), Expressionism as an International Literary Phenomenon (Budapest: Akadémiai Kiado, 1973), 168. (p.929)

Welch, Robert, The Abbey Theatre 1899–1999: Form and Pressure (Oxford: Oxford University Press, 1999).

West, Rebecca, The Young Rebecca: Writings of Rebecca West 1911–1917, ed. Jane Marcus (London: Virago, 1983).

———, Selected Letters of Rebecca West, ed. Bonnie Kime Scott (New Haven/London: Yale University Press, 2000).

White, Peter, ‘ “Tradition and the Individual Talent” Revisited’, Review of English Studies, 58 (2007).

Whitehead, Ella, John Lehmann’s ‘New Writing’: An Author-Index, with an ‘Introductory Essay’ by John Whitehead (New York: Edwin Mellen, 1990).

Whitworth, Michael, ‘Pièces d’identité: T. S. Eliot, J. W. N. Sullivan and Poetic Impersonality’, English Literature in Transition, 39 (1996), 149–70.

Wilde, Oscar, ‘The Soul of Man Under Socialism’, in The Collected Works of Oscar Wilde, ed. Robert Ross, 14 vols. [1908] (London: Routledge/Thoemmes, 1993), 273–334.

Wilkinson, L. Patrick, John Tresidder Sheppard (privately printed, 1969).

Williams, Ellen, Harriet Monroe and the Poetry Renaissance: The First Ten Years of Poetry (Urbana, IL: University of Illinois Press, 1977).

Williams, Jane (ed.), Tambimuttu: Bridge Between Two Worlds (London: Peter Owen, 1989).

Williams, Keith, and Matthews, Steven (eds), Rewriting the Thirties: Modernism and After (Edinburgh: Longman, 1997).

Williams, Raymond, ‘Our Debt to Dr. Leavis’, Critical Quarterly, 1:3 (Autumn 1959), 245–7.

———, Marxism and Literature (Oxford: Oxford University Press, 1977).

———, Problems in Materialism and Culture (London: Verso, 1980).

———, Culture (London: Fontana, 1981).

———, The Politics of Modernism: Against the New Conformists (London and New York: Verso, 1989).

———, Culture and Materialism: Selected Essays (London: Verso, 2005).

Willison, Ian, Gould, Warwick, and Chernaik, Warren (eds), Modernist Writers and the Market Place (London: Palgrave Macmillan, 1996).

Wilson, Andrew, ‘Demobilisation: The End of Vorticism or Another Blast? 1919–21’, ICSAC Cahier 8/9: Vorticism, ed. Andrew Wilson (Brussels: ICSAC, 1988), 205–18.

Winsten, Stephen, ‘Mr. Thomas Moult’, The Times (Nov. 23, 1974), 16.

Wollen, Peter, Raiding the Ice Box (London: Verso, 1993).

Woolf, Leonard, Downhill All the Way (London: Oxford University Press, 1961).

Woolf, Virginia, A Letter to a Young Poet (London: Hogarth Press, 1932).

———, Three Guineas (San Diego: Harcourt, Brace, 1966).

———, To The Lighthouse (London: Grafton, 1977).

———, The Diary of Virginia Woolf, vol. ii: 1920–1924, ed. Anne Olivier Bell, assisted by Andrew McNeillie (London: Hogarth Press, 1978). (p.930)

Woolf, Virginia, The Letters of Virginia Woolf, ed. Nigel Nicolson and Joanne Trautmann (London: Hogarth, 1979).

———, The Diary of Virginia Woolf, vol. iii, ed. Anne Olivier Bell and Andrew McNeillie (London: Hogarth, 1980).

———, The Diary of Virginia Woolf, vol. iv, ed. Anne Olivier Bell and Andrew McNeillie (London: Hogarth, 1983).

———, The Diary of Virginia Woolf, vol. v, ed. Anne Olivier Bell and Andrew McNeillie (London: Hogarth, 1984).

———, A Room of One’s Own and Three Guineas, ed. Morag Schiach (Oxford: Oxford University Press, 1992).

———, Women and Fiction: The Manuscript Versions of A Room of One’s Own, ed. S. P. Rosenbaum (Oxford: Blackwell, 1992).

Worthen, John, D. H. Lawrence: The Life of An Outsider (New York: Counterpoint, 2005).

Wright, Adrian, John Lehmann: A Pagan Adventure (London: Duckworth, 1998).

Yeats, W. B., The Letters of W. B. Yeats, ed. Allan Wade (London: Rupert HartDavis, 1954).

———, Autobiographies: Memories and Reflections (London: Macmillan, 1955).

———, Memoirs (London: Macmillan, 1974).

———, Letters to the New Island, ed. George Bornstein and Hugh Witemeyer (New York: Macmillan, 1989).

———, The Collected Letters of W. B. Yeats, gen. ed. John Kelly, vol. iii: 1901–1904, ed. John Kelly and Ronald Schuchard (Oxford: Oxford University Press, 1994).

———, The Collected Letters of W. B. Yeats, gen. ed. John Kelly, vol. ii: 1896–1900, ed. Warwick Gould, John Kelly, and Deirdre Toomey (Oxford: Oxford University Press, 1997).

———, Autobiographies, ed. William H. O’Donnell, and Douglas N. Archibald (New York: Scribner, 1999).

———, Later Articles and Reviews: Uncollected Articles, Reviews, and Radio Broadcasts Written after 1900, ed. Colton Johnson (New York: Scribner, 2000).

———, The Irish Dramatic Movement, ed. Mary FitzGerald, and Richard J. Finneran (New York: Scribner, 2003).

———, Early Articles and Reviews: Uncollected Articles and Reviews Written between 1886 and 1900, ed. John P. Frayne and Madeline Marchaterre (New York: Scribner, 2004).

———, The Collected Letters of W. B. Yeats, vol. iv: 1905–1907, ed. John Kelly and Ronald Schuchard (Oxford: Oxford University Press, 2005).

———, Early Essays, ed. Richard J. Finneran and George Bornstein (New York: Scribner, 2007).

Ziegler, Philip, Osbert Sitwell (London: Chatto and Windus, 1998).