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The Oxford Critical and Cultural History of Modernist MagazinesVolume II: North America 1894-1960$
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Peter Brooker and Andrew Thacker

Print publication date: 2012

Print ISBN-13: 9780199545810

Published to Oxford Scholarship Online: March 2015

DOI: 10.1093/acprof:osobl/9780199545810.001.0001

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The Left in the 1920s

The Left in the 1920s

Good Morning (1919–22); The Freeman (1920–4); and The Modern Quarterly (1923–9)

Chapter:
(p.857) 37 The Left in the 1920s
Source:
The Oxford Critical and Cultural History of Modernist Magazines
Author(s):

Peter Marks

Publisher:
Oxford University Press
DOI:10.1093/acprof:osobl/9780199545810.003.0049

This chapter examines how three different magazines — Good Morning, The Freeman, and The Modern Quarterly — contributed to political and cultural debate from a broadly leftist perspective. Two of them, Good Morning and The Freeman, did not survive the decade's first half. Good Morning was more concerned with political than cultural activity. The Freeman incorporated an assessment of avant-garde art into a broad consideration of cultural developments. The Modern Quarterly tried to fit an informed understanding of contemporary cultural trends into an overarching argument for fundamental social change.

Keywords:   American magazine, leftist, periodical, political magazine, satire, social change, avant-garde art

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