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The Oxford Critical and Cultural History of Modernist MagazinesVolume II: North America 1894-1960$
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Peter Brooker and Andrew Thacker

Print publication date: 2012

Print ISBN-13: 9780199545810

Published to Oxford Scholarship Online: March 2015

DOI: 10.1093/acprof:osobl/9780199545810.001.0001

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Between Modernisms

Between Modernisms

transition (1927–38)

Chapter:
(p.718) 31 Between Modernisms
Source:
The Oxford Critical and Cultural History of Modernist Magazines
Author(s):

Céline Mansanti

Publisher:
Oxford University Press
DOI:10.1093/acprof:osobl/9780199545810.003.0041

This chapter discusses the history of transition, the last important exile magazine of the interwar period and one of the most important magazines of its generation. In its 11-year publishing run, transition appeared in 25 issues averaging 200 pages each. With 500 contributors coming from all over the world, transition offered contributions ranging from literature to music, drawing, painting, sculpture, architecture, philosophy, ethnology, linguistics, cinema, and photography. Many literary and artistic avant-gardes found their way into its pages, the most represented being Anglo-American modernism, Surrealism, Expressionism, Dadaism, but also early-nineteenth-century German Romanticism. Throughout its life, the magazine was faithful to its first editorial statement claiming that ‘contributions will be welcomed from all sources and the fact that an author's name is unknown will assure his manuscript a more favourable examination’.

Keywords:   American magazine, little magazine, periodical, exile magazine, Anglo-American modernism, Surrealism, Expressionism, Dadaism, German Romanticism

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