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The Oxford Critical and Cultural History of Modernist MagazinesVolume II: North America 1894-1960$
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Peter Brooker and Andrew Thacker

Print publication date: 2012

Print ISBN-13: 9780199545810

Published to Oxford Scholarship Online: March 2015

DOI: 10.1093/acprof:osobl/9780199545810.001.0001

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Exiles

Exiles

the transatlantic review (1924) and The Exile (1927–8)

Chapter:
(p.697) 30 Exiles
Source:
The Oxford Critical and Cultural History of Modernist Magazines
Author(s):

Andrzej Gaşiorek

Publisher:
Oxford University Press
DOI:10.1093/acprof:osobl/9780199545810.003.0040

This chapter discusses the histories of Ford Madox Ford's the transatlantic review and Ezra Pound's The Exile. Both magazines sought to publish innovative work, which both Pound and Ford liked to differentiate from ‘commercial’ writing. In practice, however, neither of them carried out this strategy in a programmatic fashion, since they both tended to follow their own tastes, published whatever they liked, and relied heavily on personal contacts. The main differences between them were that The Exile was a ‘closed shop’ and that Ford's editorial policy was in no sense dependent on considerations of gender, while Pound's was radically male-centred and exclusionist. Ford's desire to create a public sphere in which a variety of voices might productively commingle was inclusive, whereas Pound was bent on creating a new American civilization in which in at least one respect exclusive, male-centred, and misogynist.

Keywords:   Ford Madox Ford, Ezra Pound, American magazine, modernist magazine, periodical

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