Jump to ContentJump to Main Navigation
Bollywood SoundsThe Cosmopolitan Mediations of Hindi Film Song$
Users without a subscription are not able to see the full content.

Jayson Beaster-Jones

Print publication date: 2014

Print ISBN-13: 9780199993468

Published to Oxford Scholarship Online: December 2014

DOI: 10.1093/acprof:oso/9780199993468.001.0001

Show Summary Details
Page of

PRINTED FROM OXFORD SCHOLARSHIP ONLINE (www.oxfordscholarship.com). (c) Copyright Oxford University Press, 2019. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in OSO for personal use (for details see www.oxfordscholarship.com/page/privacy-policy).date: 25 March 2019

Concluding Thoughts on the Art and Commerce of Hindi Film Songs

Concluding Thoughts on the Art and Commerce of Hindi Film Songs

(p.167) Chapter 8 Concluding Thoughts on the Art and Commerce of Hindi Film Songs
Bollywood Sounds

Jayson Beaster-Jones

Oxford University Press

This chapter returns to a discussion of cosmopolitanism, mediation, and the commercial aesthetic of film songs. It goes on to make predictions based upon the trajectory of the film music industry and suggests how future Bollywood film producers might change their approaches to the use of music in Hindi films.

Keywords:   popular music, aesthetics, mediation, cosmopolitanism, Bollywood

Oxford Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .